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‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

Britain seems to finally have an eye for art from the Asia-Pacific, with several big recent exhibitions, including the new Rising Voices show at the V&A. Why did it take so long? An imposing new figure is greeting visitors inside the main ...

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain
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Britain seems to finally have an eye for art from the Asia-Pacific, with several big recent exhibitions, including the new Rising Voices show at the V&A. Why did it take so long? An imposing new figure is greeting visitors inside the main ...

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According to The Guardian’s report, ‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain, Britain seems to finally have an eye for art from the Asia-Pacific, with several big recent exhibitions, including the new Rising Voices show at the V&A. Why did it take so long? An imposing new figure is greeting visitors inside the main entrance of the Victoria and Albert Museum (V&A) in South Kensington. Standing on one side of the domed hall, across from the galleries dedicated to medieval and Renaissance European art, is a lifesize, fibreglass sculpture of a burly bouncer. The Māori nametag hanging from his belt loop suggests he has travelled a long way from home. This character, Kapa Haka (Whero) by Michael Parekōwhai from Aotearoa New Zealand, is a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. Produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show includes m

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Primary source: ‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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