Verified source report

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

Britain seems to finally have an eye for art from the Asia-Pacific, with several big recent exhibitions, including the new Rising Voices show at the V&A. Why did it take so long? An imposing new figure is greeting visitors inside the main entrance of the Victoria and Albert Museum (V&A) in South Kensington. Standing on one side of the domed hall, across from the galleries dedicated to medieval and Renaissance European art, is a lifesize, fibreglass sculpture of a burly bouncer. The Māori nametag hanging from his belt loop suggests he has travelled a long way from home. This character, Kapa Haka (Whero) by Michael Parekōwhai from Aotearoa New Zealand, is a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. Produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show includes m

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain
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What happened

According to The Guardian’s source item, ‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain, Britain seems to finally have an eye for art from the Asia-Pacific, with several big recent exhibitions, including the new Rising Voices show at the V&A. Why did it take so long? An imposing new figure is greeting visitors inside the main entrance of the Victoria and Albert Museum (V&A) in South Kensington. Standing on one side of the domed hall, across from the galleries dedicated to medieval and Renaissance European art, is a lifesize, fibreglass sculpture of a burly bouncer. The Māori nametag hanging from his belt loop suggests he has travelled a long way from home. This character, Kapa Haka (Whero) by Michael Parekōwhai from Aotearoa New Zealand, is a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. Produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show includes m

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The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-05-15T15:00:44+00:00.

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Primary source: ‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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