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Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel's experimental album of the month
(Felt) From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, ...
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(Felt) From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, ...
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According to The Guardian’s source item, Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel’s experimental album of the month, (Felt) From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, which draws on, and reshapes, classical instrumentation and pop songwriting. Think ML Buch, Astrid Sonne and Erika de Casier, all of whom have graduated from the institution since 2019. Following in their footsteps is Lithuanian musician Gintė Preisaitė, who works with piano, voice and electronics to create atmospheric, unsettling ambient compositions. Instruments of Forgetting and the Singing Bone, Preisaitė’s first solo release under her own name, draws on her background in improvisational techniques and composing for large ensembles. With additional instrumentation from a cluster of collabora
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The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-05T07:30:28+00:00.
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Primary source: Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel’s experimental album of the month via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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