Verified source report
Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel's experimental album of the month
(Felt) From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, which draws on, and reshapes, classical instrumentation and pop songwriting. Think ML Buch, Astrid Sonne and Erika de Casier, all of whom have graduated from the institution since 2019. Following in their footsteps is Lithuanian musician Gintė Preisaitė, who works with piano, voice and electronics to create atmospheric, unsettling ambient compositions. Instruments of Forgetting and the Singing Bone, Preisaitė’s first solo release under her own name, draws on her background in improvisational techniques and composing for large ensembles. With additional instrumentation from a cluster of collabora
What happened
According to The Guardian’s source item, Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel’s experimental album of the month, (Felt) From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, which draws on, and reshapes, classical instrumentation and pop songwriting. Think ML Buch, Astrid Sonne and Erika de Casier, all of whom have graduated from the institution since 2019. Following in their footsteps is Lithuanian musician Gintė Preisaitė, who works with piano, voice and electronics to create atmospheric, unsettling ambient compositions. Instruments of Forgetting and the Singing Bone, Preisaitė’s first solo release under her own name, draws on her background in improvisational techniques and composing for large ensembles. With additional instrumentation from a cluster of collabora
Context
The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-05T07:30:28+00:00.
What to watch
Open questions include whether primary sources issue follow-up statements, whether local or market impacts become clearer, and whether additional reporting changes the timeline or adds material context.
Source
Primary source: Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel’s experimental album of the month via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
This source-cited VINI report links to the original publisher record. VINI does not republish third-party article bodies without rights clearance. 1 source listed.
Source links
- Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel's experimental album of the monthThe Guardian - 2026-06-05T07:30:28+00:00
Reader comments
Moderated discussion
Comments are open to authenticated approved accounts, screened for spam and abuse, and published only after newsroom moderation unless editors change the story control.