Wire report

Women behind the lens: ‘I may not be able to decide whose faces are painted on walls but I can make sure female boxers are part of that archive’

Photojournalist Olaoluwa Olowu is documenting the lives of women in Ghana who choose to fight I took this portrait of Elizabeth Boakye, an amateur boxer, in the Abossey Okai neighbourhood of Accra, Ghana, in May 2026. While photographing boxing, I started noticing how much of the sport exists outside the ring. On the streets, there are paintings, graffiti, posters, signs and names celebrating boxers, but almost everything I saw represented male boxers. One day, I saw this painting of a male boxer under the bridge. I remember looking at it and thinking about how I could add or imprint a female boxer into this archive of boxing that already exists on the streets. I returned with Elizabeth and asked her to stand beneath it. Continue reading...

Source-feed image associated with Women behind the lens: ‘I may not be able to decide whose faces are painted on walls but I can make sure female boxers are part of that archive’
Source-feed image associated with the linked report: Women behind the lens: ‘I may not be able to decide whose faces are painted on walls but I can make sure female boxers are part of that archive’.Credit: The Guardian Source-feed thumbnail displayed with attribution and outbound source link; VINI does not claim ownership or republish the third-party article body. Image source Cached source-feed image shown for continuity with attribution and an outbound source link; VINI does not claim third-party image authorship or republish the third-party article body.
Reading time2 min

coverage / Wire report

Reader toolsFollow the reporting.

Get updates, read source context, send useful records, share the story, or support the reporting work from the reading page.

FollowGet story updatesBriefs and topic returnsContextOpen background1 public sourceContributeSend recordsDocuments, dates, photosSupportFund reportingReader-backed workShareCopy story URLvininews.com
Why it mattersTechnology

Photojournalist Olaoluwa Olowu is documenting the lives of women in Ghana who choose to fight I took this portrait of Elizabeth Boakye, an amateur boxer, in the Abossey Okai neighbourhood of Accra, Ghana, in May 2026. While photographing boxing, I started noticing how much of the sport exists outside the ring. On the streets, there are paintings, graffiti, posters, signs and names celebrating boxers, but almost everything I saw represented male boxers. One day, I saw this painting of a male boxer under the bridge. I remember looking at it and thinking about how I could add or imprint a female boxer into this archive of boxing that already exists on the streets. I returned with Elizabeth and asked her to stand beneath it. Continue reading...

What to know1 source

Check the original link, updates, and responses when a detail is contested.

Keep readingdesign

Open topic or search related wording such as records, sources, agencies, dates, and locations.

What happened

According to The Guardian’s linked report, Women behind the lens: ‘I may not be able to decide whose faces are painted on walls but I can make sure female boxers are part of that archive’, Photojournalist Olaoluwa Olowu is documenting the lives of women in Ghana who choose to fight I took this portrait of Elizabeth Boakye, an amateur boxer, in the Abossey Okai neighbourhood of Accra, Ghana, in May 2026. While photographing boxing, I started noticing how much of the sport exists outside the ring. On the streets, there are paintings, graffiti, posters, signs and names celebrating boxers, but almost everything I saw represented male boxers. One day, I saw this painting of a male boxer under the bridge. I remember looking at it and thinking about how I could add or imprint a female boxer into this archive of boxing that already exists on the streets. I returned with Elizabeth and asked her to stand beneath it. Continue reading…

Context

The development sits in VINI’s Technology coverage for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-08-05T06:00:12+00:00.

What to watch

Open questions include whether primary sources issue follow-up statements, whether local or market impacts become clearer, and whether additional reporting changes the timeline or adds material context.

Source

Primary source: Women behind the lens: ‘I may not be able to decide whose faces are painted on walls but I can make sure female boxers are part of that archive’ via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

Keep following

This file can keep developing

vininews.com uses reader tips, public records, right-of-reply requests, corrections, and follow-up reporting to keep important stories current.

SubscribeGet the next updateSend recordsShare documents or leadsRespondRequest comment or replyDonateSupport reporting costs

Support and subscriptions never buy coverage, placement, suppression, or corrections.

This VINI report keeps the original publisher link available and does not republish third-party article bodies without rights clearance. 1 reference listed.

Source links

Reader comments

Moderated discussion

Account access

Comments are open to authenticated approved accounts, screened for spam and abuse, and published only after newsroom moderation unless editors change the story control.

Loading comments.

No approved comments yet.

Substantive, civil comments can be submitted by approved account holders.