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‘Trumpeters? We think we’re the kings of the orchestra’: Wynton Marsalis prepares to blow the Edinburgh festival away

It has 12 movements, 200 musicians and aims to unite America. The great US trumpeter and composer talks about his All Rise symphony, his jazz great mentors – and learning humility from his wife At Heinz Hall in Pittsburgh, Wynton Marsalis is hard to spot. When he first played this venue, in 1984, he was the prodigious 22-year-old soloist out front, blowing Haydn’s trumpet concerto under the baton of Lorin Maazel. Tonight he is embedded in the machinery: half-hidden behind ranks of strings and woodwind, a black-suited figure in the heart of his own symphony. It’s a strange way for a composer to behave – especially one whose public persona has long been associated with certainty, polemic and the upright authority of a man who can make any argument sound like a moral law. Yet Marsalis seems almost pleased by his disappearance. “It’s my piece,” he says, as we talk in his hotel room the next

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It has 12 movements, 200 musicians and aims to unite America. The great US trumpeter and composer talks about his All Rise symphony, his jazz great mentors – and learning humility from his wife At Heinz Hall in Pittsburgh, Wynton Marsalis is hard to spot. When he first played this venue, in 1984, he was the prodigious 22-year-old soloist out front, blowing Haydn’s trumpet concerto under the baton of Lorin Maazel. Tonight he is embedded in the machinery: half-hidden behind ranks of strings and woodwind, a black-suited figure in the heart of his own symphony. It’s a strange way for a composer to behave – especially one whose public persona has long been associated with certainty, polemic and the upright authority of a man who can make any argument sound like a moral law. Yet Marsalis seems almost pleased by his disappearance. “It’s my piece,” he says, as we talk in his hotel room the next

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According to The Guardian’s linked report, ‘Trumpeters? We think we’re the kings of the orchestra’: Wynton Marsalis prepares to blow the Edinburgh festival away, It has 12 movements, 200 musicians and aims to unite America. The great US trumpeter and composer talks about his All Rise symphony, his jazz great mentors – and learning humility from his wife At Heinz Hall in Pittsburgh, Wynton Marsalis is hard to spot. When he first played this venue, in 1984, he was the prodigious 22-year-old soloist out front, blowing Haydn’s trumpet concerto under the baton of Lorin Maazel. Tonight he is embedded in the machinery: half-hidden behind ranks of strings and woodwind, a black-suited figure in the heart of his own symphony. It’s a strange way for a composer to behave – especially one whose public persona has long been associated with certainty, polemic and the upright authority of a man who can make any argument sound like a moral law. Yet Marsalis seems almost pleased by his disappearance. “It’s my piece,” he says, as we talk in his hotel room the next

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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-08-03T04:00:39+00:00.

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Primary source: ‘Trumpeters? We think we’re the kings of the orchestra’: Wynton Marsalis prepares to blow the Edinburgh festival away via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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