Wire report

‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes

In the choreographers’ new work, virtuosic movement and some green-screen magic unfurl the theatricality of high-stakes television interviews It appears the interviewer has got him on the ropes. “For the record, I did not take part in a pagan ceremony with minor members of the royal family in which we daubed ourselves in paint,” states the beleaguered politician, caught outside Buckingham Palace with his flies undone and forced to defend himself. This is a fabrication, of course – I’m watching the scene play out in an east London dance studio – but it doesn’t feel miles away from something that could be true. And how do we know what’s the truth anyway? That’s the question in Deepfake , the latest piece from award-winning dance duo Jessica Wright and Morgann Runacre-Temple, AKA Jess and Morgs . The pair tell modern stories with ambitious tech – film and live camera work – and often techy

Image from linked report: ‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes
Image from the linked report: ‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes.Credit: The Guardian Thumbnail shown with attribution and outbound source link; VINI does not claim ownership or republish the original article body. Image source Image shown with attribution and an outbound source link; VINI does not claim ownership or republish the original article body.
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Why it mattersTechnology

In the choreographers’ new work, virtuosic movement and some green-screen magic unfurl the theatricality of high-stakes television interviews It appears the interviewer has got him on the ropes. “For the record, I did not take part in a pagan ceremony with minor members of the royal family in which we daubed ourselves in paint,” states the beleaguered politician, caught outside Buckingham Palace with his flies undone and forced to defend himself. This is a fabrication, of course – I’m watching the scene play out in an east London dance studio – but it doesn’t feel miles away from something that could be true. And how do we know what’s the truth anyway? That’s the question in Deepfake , the latest piece from award-winning dance duo Jessica Wright and Morgann Runacre-Temple, AKA Jess and Morgs . The pair tell modern stories with ambitious tech – film and live camera work – and often techy

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What happened

According to The Guardian’s source item, ‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes, In the choreographers’ new work, virtuosic movement and some green-screen magic unfurl the theatricality of high-stakes television interviews It appears the interviewer has got him on the ropes. “For the record, I did not take part in a pagan ceremony with minor members of the royal family in which we daubed ourselves in paint,” states the beleaguered politician, caught outside Buckingham Palace with his flies undone and forced to defend himself. This is a fabrication, of course – I’m watching the scene play out in an east London dance studio – but it doesn’t feel miles away from something that could be true. And how do we know what’s the truth anyway? That’s the question in Deepfake , the latest piece from award-winning dance duo Jessica Wright and Morgann Runacre-Temple, AKA Jess and Morgs . The pair tell modern stories with ambitious tech – film and live camera work – and often techy

Context

The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-24T09:03:45+00:00.

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Primary source: ‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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