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Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
A 1,000-year-old vampire obsessed with removing men’s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style Wibbling willies! This gore fest from Iceland starts as it means to go on: parked on a quiet back road, ...
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A 1,000-year-old vampire obsessed with removing men’s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style Wibbling willies! This gore fest from Iceland starts as it means to go on: parked on a quiet back road, ...
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According to The Guardian’s source item, Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style, A 1,000-year-old vampire obsessed with removing men’s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style Wibbling willies! This gore fest from Iceland starts as it means to go on: parked on a quiet back road, where a balding 1,000-year-old vampire has lured a middle-aged man into his car with the promise of a quickie. The vampire’s head lowers into his poor victim’s lap. “Not quite so hard,” the man implores, unheeded. Just three minutes into the film, we get sight of a dismembered member – the first of many to come. Filmed in trashy 1980s style, with plenty of red smoke and a synth-heavy soundtrack, Thirst is over-the-top and deliberately ridiculous, though I couldn’t stop myself yelping at one or two moments. This is not a film graced by first (or even second) rate acting, though Hjörtur Sævar Steinason gives an entertaining performance as the
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The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-16T10:00:05+00:00.
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Primary source: Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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