Wire report
The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years
(RCA/Cult) Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form Here’s a sentence no old-head Strokes fan wants to hear: to understand Reality Awaits, the stalwart NYC group’s seventh album and first in six years, you first have to understand the Voidz. Julian Casablancas’s other band has been taking up more and more of his time in recent years, much to the chagrin of fans who may have dipped into the group’s painfully, awkwardly proggy 2014 debut Tyranny and decided to just let the old legend have his fun (away from their own speakers, of course). Anyone who decided to listen further will have found that the Voidz have turned into a great, crowd-pleasing, safely experimental zone for Casablancas to pull out some of the most energised, goofy work of his career. If you’re thinking I come
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(RCA/Cult) Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form Here’s a sentence no old-head Strokes fan wants to hear: to understand Reality Awaits, the stalwart NYC group’s seventh album and first in six years, you first have to understand the Voidz. Julian Casablancas’s other band has been taking up more and more of his time in recent years, much to the chagrin of fans who may have dipped into the group’s painfully, awkwardly proggy 2014 debut Tyranny and decided to just let the old legend have his fun (away from their own speakers, of course). Anyone who decided to listen further will have found that the Voidz have turned into a great, crowd-pleasing, safely experimental zone for Casablancas to pull out some of the most energised, goofy work of his career. If you’re thinking I come
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According to The Guardian’s linked report, The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years, (RCA/Cult) Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form Here’s a sentence no old-head Strokes fan wants to hear: to understand Reality Awaits, the stalwart NYC group’s seventh album and first in six years, you first have to understand the Voidz. Julian Casablancas’s other band has been taking up more and more of his time in recent years, much to the chagrin of fans who may have dipped into the group’s painfully, awkwardly proggy 2014 debut Tyranny and decided to just let the old legend have his fun (away from their own speakers, of course). Anyone who decided to listen further will have found that the Voidz have turned into a great, crowd-pleasing, safely experimental zone for Casablancas to pull out some of the most energised, goofy work of his career. If you’re thinking I come
Context
The development sits in VINI’s Technology coverage for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-07-24T09:00:10+00:00.
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Source
Primary source: The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in yearsThe Guardian - 2026-07-24T09:00:10+00:00
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