wire report
‘The face doesn’t move’: Hollywood’s obsession with cosmetic surgeries has led to stiffer looks – and performances
With procedures like filler and Botox becoming commonplace, audiences are lamenting the smoothed-out, uncanny faces now rampant in major pictures A few years ago, New York dermatologist Dr David A Colbert received an unexpected call from a Hollywood director. The director was ...
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With procedures like filler and Botox becoming commonplace, audiences are lamenting the smoothed-out, uncanny faces now rampant in major pictures A few years ago, New York dermatologist Dr David A Colbert received an unexpected call from a Hollywood director. The director was ...
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What happened
According to The Guardian’s source item, ‘The face doesn’t move’: Hollywood’s obsession with cosmetic surgeries has led to stiffer looks – and performances, With procedures like filler and Botox becoming commonplace, audiences are lamenting the smoothed-out, uncanny faces now rampant in major pictures A few years ago, New York dermatologist Dr David A Colbert received an unexpected call from a Hollywood director. The director was shooting a film starring a high-profile actor who had plumped his face with so much filler it wouldn’t move. The director proceeded to berate Colbert, whose practice has treated famous faces such as Sienna Miller, Naomi Watts and Robin Wright, for stilting his star’s ability to emote. “He was kind of rude,” Colbert said. “He was like, ‘Hey, can you stop doing what you’re doing [to his face]?’” Continue reading…
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-02T11:00:04+00:00.
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Source
Primary source: ‘The face doesn’t move’: Hollywood’s obsession with cosmetic surgeries has led to stiffer looks – and performances via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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