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The Beloved review – Javier Bardem turns in a career-scariest performance

Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker The Beasts . It’s a film about a film-shoot – often the occasion for whimsy or sentimentality or woozy rapture about the magic of cinema. Not here. And given this and Paweł Pawlikowski’s Fatherland , this year could be the Cannes of father-daughter dysfunction. Continue reading...

The Beloved review – Javier Bardem turns in a career-scariest performance
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Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker The Beasts . It’s a film about a film-shoot – often the occasion for whimsy or sentimentality or woozy rapture about the magic of cinema. Not here. And given this and Paweł Pawlikowski’s Fatherland , this year could be the Cannes of father-daughter dysfunction. Continue reading...

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What happened

According to The Guardian’s source item, The Beloved review – Javier Bardem turns in a career-scariest performance, Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker The Beasts . It’s a film about a film-shoot – often the occasion for whimsy or sentimentality or woozy rapture about the magic of cinema. Not here. And given this and Paweł Pawlikowski’s Fatherland , this year could be the Cannes of father-daughter dysfunction. Continue reading…

Context

The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-05-16T17:46:50+00:00.

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Primary source: The Beloved review – Javier Bardem turns in a career-scariest performance via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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