Wire report
Terry Winters review – flashes of magic in patterns science has yet to explain
Modern Art, London The mathematically named new works of Along the River are disorienting, illusive and seem to offer a flash of the secret sequences that underpin the physical world Why do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real. Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, parti
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Modern Art, London The mathematically named new works of Along the River are disorienting, illusive and seem to offer a flash of the secret sequences that underpin the physical world Why do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real. Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, parti
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According to The Guardian’s linked item, Terry Winters review – flashes of magic in patterns science has yet to explain, Modern Art, London The mathematically named new works of Along the River are disorienting, illusive and seem to offer a flash of the secret sequences that underpin the physical world Why do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real. Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, parti
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The development sits in VINI’s Technology coverage for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-06-05T18:57:23+00:00.
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Primary source: Terry Winters review – flashes of magic in patterns science has yet to explain via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Terry Winters review – flashes of magic in patterns science has yet to explainThe Guardian - 2026-06-05T18:57:23+00:00
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