Wire report
Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory
Milly Alcock’s Supergirl joins with Eve Ridley’s Ruthye to fight an evil intergalactic human trafficker The sexual politics of perceived female maturity has always been a problem in this particular set of superhero films. Quite why Kara Zor-El gets to be a “supergirl” while Kal-El gets to be a “superman”, despite not being that much older, is not obvious. Even that notorious wokester Friedrich Nietzsche went with the non-gender term “Übermensch”. The issue is in fact pre-emptively raised here in an early scene, but the dialogue breaks off without the question being explicitly resolved. Maybe there is a copyright issue. If our heroine really did have a title exactly corresponding to “Superman”, the spirit of Shirley Conran would no doubt angrily barge on to the screen with a phalanx of lawyers and a bag of defiantly unstuffed mushrooms. Well, after her brief walk-on in last year’s muddled
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Milly Alcock’s Supergirl joins with Eve Ridley’s Ruthye to fight an evil intergalactic human trafficker The sexual politics of perceived female maturity has always been a problem in this particular set of superhero films. Quite why Kara Zor-El gets to be a “supergirl” while Kal-El gets to be a “superman”, despite not being that much older, is not obvious. Even that notorious wokester Friedrich Nietzsche went with the non-gender term “Übermensch”. The issue is in fact pre-emptively raised here in an early scene, but the dialogue breaks off without the question being explicitly resolved. Maybe there is a copyright issue. If our heroine really did have a title exactly corresponding to “Superman”, the spirit of Shirley Conran would no doubt angrily barge on to the screen with a phalanx of lawyers and a bag of defiantly unstuffed mushrooms. Well, after her brief walk-on in last year’s muddled
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According to The Guardian’s linked item, Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory, Milly Alcock’s Supergirl joins with Eve Ridley’s Ruthye to fight an evil intergalactic human trafficker The sexual politics of perceived female maturity has always been a problem in this particular set of superhero films. Quite why Kara Zor-El gets to be a “supergirl” while Kal-El gets to be a “superman”, despite not being that much older, is not obvious. Even that notorious wokester Friedrich Nietzsche went with the non-gender term “Übermensch”. The issue is in fact pre-emptively raised here in an early scene, but the dialogue breaks off without the question being explicitly resolved. Maybe there is a copyright issue. If our heroine really did have a title exactly corresponding to “Superman”, the spirit of Shirley Conran would no doubt angrily barge on to the screen with a phalanx of lawyers and a bag of defiantly unstuffed mushrooms. Well, after her brief walk-on in last year’s muddled
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-06-24T16:00:49+00:00.
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Primary source: Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstoryThe Guardian - 2026-06-24T16:00:49+00:00
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