Wire report

Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom

(tak:til) The nine-piece London-based group take a radically fresh approach to traditional music, sounding raging, lo-fi and joyful as they link Britain’s violent past to its present Those thus far unaware of Shovel Dance Collective’s bracing approach to folk should probably note that their third album is not much interested in breaking newcomers in gently. Everything in Readiness kicks off with a three-song suite that lasts more than 10 minutes and takes you, via a series of dramatic sonic jump-cuts, from a grinding one-note drone to a reel that seems to split the difference between trad folk fiddle-playing and the punishing squall of the Velvet Underground’s Black Angel’s Death Song. It then leaps to Tally Ho! Hark Away!, which sets a hunting song first collected in the late 1940s over a blast of what might best be described as ecstatic noise. It’s genuinely hard to work out what instr

Image from linked report: Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
Image from the linked report: Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom.Credit: The Guardian Thumbnail shown with attribution and outbound source link; VINI does not claim ownership or republish the original article body. Image source External image shown with attribution and an outbound source link; VINI does not claim ownership or republish the original article body.
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(tak:til) The nine-piece London-based group take a radically fresh approach to traditional music, sounding raging, lo-fi and joyful as they link Britain’s violent past to its present Those thus far unaware of Shovel Dance Collective’s bracing approach to folk should probably note that their third album is not much interested in breaking newcomers in gently. Everything in Readiness kicks off with a three-song suite that lasts more than 10 minutes and takes you, via a series of dramatic sonic jump-cuts, from a grinding one-note drone to a reel that seems to split the difference between trad folk fiddle-playing and the punishing squall of the Velvet Underground’s Black Angel’s Death Song. It then leaps to Tally Ho! Hark Away!, which sets a hunting song first collected in the late 1940s over a blast of what might best be described as ecstatic noise. It’s genuinely hard to work out what instr

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According to The Guardian’s source item, Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom, (tak:til) The nine-piece London-based group take a radically fresh approach to traditional music, sounding raging, lo-fi and joyful as they link Britain’s violent past to its present Those thus far unaware of Shovel Dance Collective’s bracing approach to folk should probably note that their third album is not much interested in breaking newcomers in gently. Everything in Readiness kicks off with a three-song suite that lasts more than 10 minutes and takes you, via a series of dramatic sonic jump-cuts, from a grinding one-note drone to a reel that seems to split the difference between trad folk fiddle-playing and the punishing squall of the Velvet Underground’s Black Angel’s Death Song. It then leaps to Tally Ho! Hark Away!, which sets a hunting song first collected in the late 1940s over a blast of what might best be described as ecstatic noise. It’s genuinely hard to work out what instr

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The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-10-22T11:43:40+00:00.

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Primary source: Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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