Wire report
Scream review – Wes Craven meta horror remains super smart and scary 30 years on
Self-aware romp through the genre is redolent of the 90s but its ghost-masked killer is as alarming as ever The 30th anniversary re-release of the original Scream, from screenwriter Kevin Williamson and director Wes Craven, brings us to a locus classicus of the 90s: a self-aware romp through the horror genre. It features Skeet Ulrich’s high schooler Billy Loomis announcing that reality is “all one big movie – but you can’t pick your genre”, which is the meta-slasher equivalent of Jacques Derrida’s belief that there is nothing outside the text. A ghost-masked killer is murdering and terrorising the bland Californian town of Woodsboro, and we begin with his gruesome assault on Casey (Drew Barrymore); he makes chilling calls to people’s landline phones, in an era where that meant you more or less had them pinned them down to a certain location. (The existence of “cellular” phones was still
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Self-aware romp through the genre is redolent of the 90s but its ghost-masked killer is as alarming as ever The 30th anniversary re-release of the original Scream, from screenwriter Kevin Williamson and director Wes Craven, brings us to a locus classicus of the 90s: a self-aware romp through the horror genre. It features Skeet Ulrich’s high schooler Billy Loomis announcing that reality is “all one big movie – but you can’t pick your genre”, which is the meta-slasher equivalent of Jacques Derrida’s belief that there is nothing outside the text. A ghost-masked killer is murdering and terrorising the bland Californian town of Woodsboro, and we begin with his gruesome assault on Casey (Drew Barrymore); he makes chilling calls to people’s landline phones, in an era where that meant you more or less had them pinned them down to a certain location. (The existence of “cellular” phones was still
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According to The Guardian’s source item, Scream review – Wes Craven meta horror remains super smart and scary 30 years on, Self-aware romp through the genre is redolent of the 90s but its ghost-masked killer is as alarming as ever The 30th anniversary re-release of the original Scream, from screenwriter Kevin Williamson and director Wes Craven, brings us to a locus classicus of the 90s: a self-aware romp through the horror genre. It features Skeet Ulrich’s high schooler Billy Loomis announcing that reality is “all one big movie – but you can’t pick your genre”, which is the meta-slasher equivalent of Jacques Derrida’s belief that there is nothing outside the text. A ghost-masked killer is murdering and terrorising the bland Californian town of Woodsboro, and we begin with his gruesome assault on Casey (Drew Barrymore); he makes chilling calls to people’s landline phones, in an era where that meant you more or less had them pinned them down to a certain location. (The existence of “cellular” phones was still
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- Scream review – Wes Craven meta horror remains super smart and scary 30 years onThe Guardian - 2026-10-21T10:00:01+00:00
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