Wire report
Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
Sherman’s March director McElwee revisits footage of his late son for this magnificently affecting film and meditation on making art This new film from revered documentary-maker Ross McElwee is an extraordinary work, arguably his most audacious use yet of autobiographical material while at the same time being a coruscating self-criticism of that same technique. Think of it as an artistic ouroboros (a snake eating its own tail). Remake is all at once about creativity, shame, love and loss, revelling in the way film can capture a moment of truth and honesty, but tempered by the knowledge that once a subject knows they’re being filmed everything becomes a kind of performance. It’s a film that works on so many levels and at the same time is so simple and direct. On that very simplest level, Remake starts out as a documentation of how Hollywood got in touch with McElwee and told him they want
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Sherman’s March director McElwee revisits footage of his late son for this magnificently affecting film and meditation on making art This new film from revered documentary-maker Ross McElwee is an extraordinary work, arguably his most audacious use yet of autobiographical material while at the same time being a coruscating self-criticism of that same technique. Think of it as an artistic ouroboros (a snake eating its own tail). Remake is all at once about creativity, shame, love and loss, revelling in the way film can capture a moment of truth and honesty, but tempered by the knowledge that once a subject knows they’re being filmed everything becomes a kind of performance. It’s a film that works on so many levels and at the same time is so simple and direct. On that very simplest level, Remake starts out as a documentation of how Hollywood got in touch with McElwee and told him they want
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According to The Guardian’s source item, Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired, Sherman’s March director McElwee revisits footage of his late son for this magnificently affecting film and meditation on making art This new film from revered documentary-maker Ross McElwee is an extraordinary work, arguably his most audacious use yet of autobiographical material while at the same time being a coruscating self-criticism of that same technique. Think of it as an artistic ouroboros (a snake eating its own tail). Remake is all at once about creativity, shame, love and loss, revelling in the way film can capture a moment of truth and honesty, but tempered by the knowledge that once a subject knows they’re being filmed everything becomes a kind of performance. It’s a film that works on so many levels and at the same time is so simple and direct. On that very simplest level, Remake starts out as a documentation of how Hollywood got in touch with McElwee and told him they want
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Primary source: Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspiredThe Guardian - 2026-09-23T06:00:17+00:00
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