Wire report
Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
Sam Rockwell voices the gumshoe who becomes embroiled with Scarlett Johansson’s femme fatale in this big-hearted and beautifully designed fantasy spectacular Brad Bird, the Spielberg of animation, applies his masterly authorial touch to a terrific family film that retrieves the genre from the doldrums of dull, AI-formulaic stories and visuals. This animation is smart, witty, humane: a fantasy spectacular with old-fashioned entertainment values and some amazing cityscape design showcasing a beguiling and sweet romance. The setting is a city of marvels in a world to come, a retro-futurist urban landscape with hints of Metropolis and Blade Runner; there are plenty of regulation moving walkways, flying cars and eerie hologram billboards, yes, but a light touch to put the fun back into what could be just cliche. Here is where an old-school noir thriller is to take place with tough private det
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Sam Rockwell voices the gumshoe who becomes embroiled with Scarlett Johansson’s femme fatale in this big-hearted and beautifully designed fantasy spectacular Brad Bird, the Spielberg of animation, applies his masterly authorial touch to a terrific family film that retrieves the genre from the doldrums of dull, AI-formulaic stories and visuals. This animation is smart, witty, humane: a fantasy spectacular with old-fashioned entertainment values and some amazing cityscape design showcasing a beguiling and sweet romance. The setting is a city of marvels in a world to come, a retro-futurist urban landscape with hints of Metropolis and Blade Runner; there are plenty of regulation moving walkways, flying cars and eerie hologram billboards, yes, but a light touch to put the fun back into what could be just cliche. Here is where an old-school noir thriller is to take place with tough private det
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According to The Guardian’s source item, Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic, Sam Rockwell voices the gumshoe who becomes embroiled with Scarlett Johansson’s femme fatale in this big-hearted and beautifully designed fantasy spectacular Brad Bird, the Spielberg of animation, applies his masterly authorial touch to a terrific family film that retrieves the genre from the doldrums of dull, AI-formulaic stories and visuals. This animation is smart, witty, humane: a fantasy spectacular with old-fashioned entertainment values and some amazing cityscape design showcasing a beguiling and sweet romance. The setting is a city of marvels in a world to come, a retro-futurist urban landscape with hints of Metropolis and Blade Runner; there are plenty of regulation moving walkways, flying cars and eerie hologram billboards, yes, but a light touch to put the fun back into what could be just cliche. Here is where an old-school noir thriller is to take place with tough private det
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Primary source: Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classicThe Guardian - 2026-10-10T13:45:58+00:00
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