Wire report

Pinocchio: Unstrung review – public domain slasher turns beloved puppet into sick serial killer

Like the grisly Winnie-the-Pooh films, the latest in the Twisted Childhood Universe franchise offers feeble satire and shock-free ‘horror’ The so-called Twisted Childhood Universe, a bad-taste British slasher franchise, continues to get mileage out of turning beloved kids’ characters into sicko serial killers. After a pair of satanic Winnie the Pooh movies , we now get a cash-in of Pinocchio, directed again by Rhys Frake-Waterfield, and like the Pooh duo, it’s a nasty piece of work. Cheerfully nasty, in fact, as it goes for black comedy laughs by bumping off characters in grisly drop-a-dumbbell-on-your-face scenarios. But it’s not-so-nice nasty as well, by being smirking and unpleasant; the kind of film that makes a joke out of the overweight kid puffing on an inhaler. The setting is a stately pile in the English countryside where inventor Geppetto (Richard Brake) lives with his preteen

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Why it mattersTechnology

Like the grisly Winnie-the-Pooh films, the latest in the Twisted Childhood Universe franchise offers feeble satire and shock-free ‘horror’ The so-called Twisted Childhood Universe, a bad-taste British slasher franchise, continues to get mileage out of turning beloved kids’ characters into sicko serial killers. After a pair of satanic Winnie the Pooh movies , we now get a cash-in of Pinocchio, directed again by Rhys Frake-Waterfield, and like the Pooh duo, it’s a nasty piece of work. Cheerfully nasty, in fact, as it goes for black comedy laughs by bumping off characters in grisly drop-a-dumbbell-on-your-face scenarios. But it’s not-so-nice nasty as well, by being smirking and unpleasant; the kind of film that makes a joke out of the overweight kid puffing on an inhaler. The setting is a stately pile in the English countryside where inventor Geppetto (Richard Brake) lives with his preteen

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What happened

According to The Guardian’s linked report, Pinocchio: Unstrung review – public domain slasher turns beloved puppet into sick serial killer, Like the grisly Winnie-the-Pooh films, the latest in the Twisted Childhood Universe franchise offers feeble satire and shock-free ‘horror’ The so-called Twisted Childhood Universe, a bad-taste British slasher franchise, continues to get mileage out of turning beloved kids’ characters into sicko serial killers. After a pair of satanic Winnie the Pooh movies , we now get a cash-in of Pinocchio, directed again by Rhys Frake-Waterfield, and like the Pooh duo, it’s a nasty piece of work. Cheerfully nasty, in fact, as it goes for black comedy laughs by bumping off characters in grisly drop-a-dumbbell-on-your-face scenarios. But it’s not-so-nice nasty as well, by being smirking and unpleasant; the kind of film that makes a joke out of the overweight kid puffing on an inhaler. The setting is a stately pile in the English countryside where inventor Geppetto (Richard Brake) lives with his preteen

Context

The development sits in VINI’s Technology coverage for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-07-22T10:00:14+00:00.

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Source

Primary source: Pinocchio: Unstrung review – public domain slasher turns beloved puppet into sick serial killer via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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