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Pierpaolo Piccioli’s couture debut reimagines Balenciaga in his own colourful image
Italian designer brings sculptural silhouettes and playful palettes to storied house, while it is hats off to Giorgio’s niece at her second Armani Privé show The house of Balenciaga takes haute couture very seriously indeed. Cristóbal Balenciaga was so horrified by the rise of mass-produced clothes that in 1968 he abruptly shuttered his brand and retired to his native Spain, announcing that “high fashion is mortally wounded”. So Pierpaolo Piccioli, who now helms the house , approached the brief of his first Balenciaga couture collection conscientiously, despite having 25 years of experience at Valentino. At a preview, the haute couture war room where he worked on the show for nine months was plastered with images that ranged from a 1961 Balenciaga dress to Spanish golden age art – Zurbarán’s chic saints, Velázquez’s doll-like infantas – and a monumental Hepworth pierced megalith. Continu
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Italian designer brings sculptural silhouettes and playful palettes to storied house, while it is hats off to Giorgio’s niece at her second Armani Privé show The house of Balenciaga takes haute couture very seriously indeed. Cristóbal Balenciaga was so horrified by the rise of mass-produced clothes that in 1968 he abruptly shuttered his brand and retired to his native Spain, announcing that “high fashion is mortally wounded”. So Pierpaolo Piccioli, who now helms the house , approached the brief of his first Balenciaga couture collection conscientiously, despite having 25 years of experience at Valentino. At a preview, the haute couture war room where he worked on the show for nine months was plastered with images that ranged from a 1961 Balenciaga dress to Spanish golden age art – Zurbarán’s chic saints, Velázquez’s doll-like infantas – and a monumental Hepworth pierced megalith. Continu
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According to The Guardian’s linked source, Pierpaolo Piccioli’s couture debut reimagines Balenciaga in his own colourful image, Italian designer brings sculptural silhouettes and playful palettes to storied house, while it is hats off to Giorgio’s niece at her second Armani Privé show The house of Balenciaga takes haute couture very seriously indeed. Cristóbal Balenciaga was so horrified by the rise of mass-produced clothes that in 1968 he abruptly shuttered his brand and retired to his native Spain, announcing that “high fashion is mortally wounded”. So Pierpaolo Piccioli, who now helms the house , approached the brief of his first Balenciaga couture collection conscientiously, despite having 25 years of experience at Valentino. At a preview, the haute couture war room where he worked on the show for nine months was plastered with images that ranged from a 1961 Balenciaga dress to Spanish golden age art – Zurbarán’s chic saints, Velázquez’s doll-like infantas – and a monumental Hepworth pierced megalith. Continu
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the publisher account, follow later updates, and compare new coverage against the first published record. The original item is dated 2026-07-08T17:50:37+00:00.
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Primary source: Pierpaolo Piccioli’s couture debut reimagines Balenciaga in his own colourful image via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Pierpaolo Piccioli’s couture debut reimagines Balenciaga in his own colourful imageThe Guardian - 2026-07-08T17:50:37+00:00
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