Wire report
Paul McCartney Explores His Ever-Present Past in ‘The Boys of Dungeon Lane,’ a Delightful Return to Wings-Era Form: Album Review
Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed for the possibility that the whole LP might be a collection of acoustic memory songs. […]
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Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed for the possibility that the whole LP might be a collection of acoustic memory songs. […]
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According to Variety’s linked item, Paul McCartney Explores His Ever-Present Past in ‘The Boys of Dungeon Lane,’ a Delightful Return to Wings-Era Form: Album Review, Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed for the possibility that the whole LP might be a collection of acoustic memory songs. […]
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Primary source: Paul McCartney Explores His Ever-Present Past in ‘The Boys of Dungeon Lane,’ a Delightful Return to Wings-Era Form: Album Review via Variety. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Paul McCartney Explores His Ever-Present Past in ‘The Boys of Dungeon Lane,’ a Delightful Return to Wings-Era Form: Album ReviewVariety - 2026-05-23T00:25:19+00:00
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