Wire report
Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare
Debut director James Ross II shows promise in this gore fest, but the fear factor suffers from an overly complex plot Sleep has been part of the horror genre repertoire since The Cabinet of Dr Caligari, and the anxieties around it are spiking as the “ sleep economy ” becomes a thing. This ambitiously structured gore fest about a woman suffering from waking nightmares comes with an all-black cast, but race isn’t a central preoccupation here. Instead, as night terrors burst the banks into reality, debut director James Ross II concentrates on maintaining an appropriately scrambled and claustrophobic experience – perhaps to the detriment of the fear factor. On her 15th birthday, Riley (Jasmine Mathews) is paralysed in a waking/sleep state at her foster home, able to observe but powerless to intervene to stop a care worker going berserk. Since this massacre, Riley keeps a strict sleep protoco
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Debut director James Ross II shows promise in this gore fest, but the fear factor suffers from an overly complex plot Sleep has been part of the horror genre repertoire since The Cabinet of Dr Caligari, and the anxieties around it are spiking as the “ sleep economy ” becomes a thing. This ambitiously structured gore fest about a woman suffering from waking nightmares comes with an all-black cast, but race isn’t a central preoccupation here. Instead, as night terrors burst the banks into reality, debut director James Ross II concentrates on maintaining an appropriately scrambled and claustrophobic experience – perhaps to the detriment of the fear factor. On her 15th birthday, Riley (Jasmine Mathews) is paralysed in a waking/sleep state at her foster home, able to observe but powerless to intervene to stop a care worker going berserk. Since this massacre, Riley keeps a strict sleep protoco
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According to The Guardian’s source item, Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare, Debut director James Ross II shows promise in this gore fest, but the fear factor suffers from an overly complex plot Sleep has been part of the horror genre repertoire since The Cabinet of Dr Caligari, and the anxieties around it are spiking as the “ sleep economy ” becomes a thing. This ambitiously structured gore fest about a woman suffering from waking nightmares comes with an all-black cast, but race isn’t a central preoccupation here. Instead, as night terrors burst the banks into reality, debut director James Ross II concentrates on maintaining an appropriately scrambled and claustrophobic experience – perhaps to the detriment of the fear factor. On her 15th birthday, Riley (Jasmine Mathews) is paralysed in a waking/sleep state at her foster home, able to observe but powerless to intervene to stop a care worker going berserk. Since this massacre, Riley keeps a strict sleep protoco
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-08-31T10:00:21+00:00.
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Primary source: Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmareThe Guardian - 2026-08-31T10:00:21+00:00
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