Wire report
Onslaught review – super soldier slasher doesn’t go hard enough
There’s a committed performance from a spunky Adria Arjona in the Guest director Adam Wingard’s decent B-movie but it’s missing some sharper weaponry There’s something rather fascinating about an indie director who heads to the A-list before returning to their roots, a wider skillset and different perspective gained for better or worse. Working within a stricter system – the tiniest of choices being agreed upon by the largest of committees – can often be a creatively crushing experience that we’ve heard gruesomely detailed by many who survived it but the expansion of what one is allowed to technically do with a bigger budget can also be instructive and enriching. The dream scenario is bringing back the good and allowing the bad to inspire new work that makes the most of how unshackled one again now is. There are plenty of examples of how this hasn’t worked. Neill Blomkamp following Elysi
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There’s a committed performance from a spunky Adria Arjona in the Guest director Adam Wingard’s decent B-movie but it’s missing some sharper weaponry There’s something rather fascinating about an indie director who heads to the A-list before returning to their roots, a wider skillset and different perspective gained for better or worse. Working within a stricter system – the tiniest of choices being agreed upon by the largest of committees – can often be a creatively crushing experience that we’ve heard gruesomely detailed by many who survived it but the expansion of what one is allowed to technically do with a bigger budget can also be instructive and enriching. The dream scenario is bringing back the good and allowing the bad to inspire new work that makes the most of how unshackled one again now is. There are plenty of examples of how this hasn’t worked. Neill Blomkamp following Elysi
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What happened
According to The Guardian’s source item, Onslaught review – super soldier slasher doesn’t go hard enough, There’s a committed performance from a spunky Adria Arjona in the Guest director Adam Wingard’s decent B-movie but it’s missing some sharper weaponry There’s something rather fascinating about an indie director who heads to the A-list before returning to their roots, a wider skillset and different perspective gained for better or worse. Working within a stricter system – the tiniest of choices being agreed upon by the largest of committees – can often be a creatively crushing experience that we’ve heard gruesomely detailed by many who survived it but the expansion of what one is allowed to technically do with a bigger budget can also be instructive and enriching. The dream scenario is bringing back the good and allowing the bad to inspire new work that makes the most of how unshackled one again now is. There are plenty of examples of how this hasn’t worked. Neill Blomkamp following Elysi
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-08-31T16:00:29+00:00.
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Source
Primary source: Onslaught review – super soldier slasher doesn’t go hard enough via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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Source links
- Onslaught review – super soldier slasher doesn’t go hard enoughThe Guardian - 2026-08-31T16:00:29+00:00
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