Wire report
Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound
A scholar has an existential crisis while researching the life of a composer in the Russian director’s Italy-set 1983 masterwork Andrei Tarkovsky’s 1983 film is a mysterious, imagist cine-poem about alienation and belonging, whose title means a yearning not simply for a lost time or lost place but for something, anything, else – with a profound anguished sense that the here-and-now of existence is unsatisfactory. The movie takes something from the poetry of the director’s father Arseny Tarkovsky, which is quoted in the film. A distinguished Russian scholar is in Italy to research the life of the (fictional) Russian composer Pavel Sosnovsky who is supposed to have travelled there before being overwhelmed by homesick longing and returning to the motherland. His beautiful, flirtatious interpreter is reading Tarkovsky’s poetry in an Italian translation, and the Russian coldly tells her to th
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A scholar has an existential crisis while researching the life of a composer in the Russian director’s Italy-set 1983 masterwork Andrei Tarkovsky’s 1983 film is a mysterious, imagist cine-poem about alienation and belonging, whose title means a yearning not simply for a lost time or lost place but for something, anything, else – with a profound anguished sense that the here-and-now of existence is unsatisfactory. The movie takes something from the poetry of the director’s father Arseny Tarkovsky, which is quoted in the film. A distinguished Russian scholar is in Italy to research the life of the (fictional) Russian composer Pavel Sosnovsky who is supposed to have travelled there before being overwhelmed by homesick longing and returning to the motherland. His beautiful, flirtatious interpreter is reading Tarkovsky’s poetry in an Italian translation, and the Russian coldly tells her to th
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According to The Guardian’s linked report, Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound, A scholar has an existential crisis while researching the life of a composer in the Russian director’s Italy-set 1983 masterwork Andrei Tarkovsky’s 1983 film is a mysterious, imagist cine-poem about alienation and belonging, whose title means a yearning not simply for a lost time or lost place but for something, anything, else – with a profound anguished sense that the here-and-now of existence is unsatisfactory. The movie takes something from the poetry of the director’s father Arseny Tarkovsky, which is quoted in the film. A distinguished Russian scholar is in Italy to research the life of the (fictional) Russian composer Pavel Sosnovsky who is supposed to have travelled there before being overwhelmed by homesick longing and returning to the motherland. His beautiful, flirtatious interpreter is reading Tarkovsky’s poetry in an Italian translation, and the Russian coldly tells her to th
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-07-22T12:00:15+00:00.
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Primary source: Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profoundThe Guardian - 2026-07-22T12:00:15+00:00
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