Wire report
‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk
Five decades since punk bible Sniffin’ Glue, DIY magazines are in rude, rich health. Their creators talk fandom, community-building and resisting the algorithm ‘The most important part of the word ‘fanzine’ is ‘fan’,” says London-based zine-maker Jon Marsh. Existing outside mainstream media, free from the demands of release cycles and search engine optimisation, music fanzines are obsessions turned into tangible objects; self-published primarily for the maker’s own enjoyment, but with the potential of forging connections with like-minded people. In the 1970s, punk zines such as Sniffin’ Glue, Alternative Ulster and Ripped & Torn allowed fans to share news and enthusiasm quickly and cheaply. Half a century on, music fanzines are enjoying a resurgence as a form of resistance to algorithm fatigue and the hyper-capitalist music industry. “Digital attention span is at an all-time low,” sa
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Five decades since punk bible Sniffin’ Glue, DIY magazines are in rude, rich health. Their creators talk fandom, community-building and resisting the algorithm ‘The most important part of the word ‘fanzine’ is ‘fan’,” says London-based zine-maker Jon Marsh. Existing outside mainstream media, free from the demands of release cycles and search engine optimisation, music fanzines are obsessions turned into tangible objects; self-published primarily for the maker’s own enjoyment, but with the potential of forging connections with like-minded people. In the 1970s, punk zines such as Sniffin’ Glue, Alternative Ulster and Ripped & Torn allowed fans to share news and enthusiasm quickly and cheaply. Half a century on, music fanzines are enjoying a resurgence as a form of resistance to algorithm fatigue and the hyper-capitalist music industry. “Digital attention span is at an all-time low,” sa
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According to The Guardian’s linked report, ‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk, Five decades since punk bible Sniffin’ Glue, DIY magazines are in rude, rich health. Their creators talk fandom, community-building and resisting the algorithm ‘The most important part of the word ‘fanzine’ is ‘fan’,” says London-based zine-maker Jon Marsh. Existing outside mainstream media, free from the demands of release cycles and search engine optimisation, music fanzines are obsessions turned into tangible objects; self-published primarily for the maker’s own enjoyment, but with the potential of forging connections with like-minded people. In the 1970s, punk zines such as Sniffin’ Glue, Alternative Ulster and Ripped & Torn allowed fans to share news and enthusiasm quickly and cheaply. Half a century on, music fanzines are enjoying a resurgence as a form of resistance to algorithm fatigue and the hyper-capitalist music industry. “Digital attention span is at an all-time low,” sa
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-07-15T12:00:55+00:00.
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Primary source: ‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punkThe Guardian - 2026-07-15T12:00:55+00:00
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