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Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles
(Unheard of Hope) The Guatemalan newcomer and US veteran find striking common ground on an intimate collaboration full of agitation, complexity and uncanny chemistry This dreamlike, intimate album unites one of experimental music’s current stars with one of its most prolific veterans. ...
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(Unheard of Hope) The Guatemalan newcomer and US veteran find striking common ground on an intimate collaboration full of agitation, complexity and uncanny chemistry This dreamlike, intimate album unites one of experimental music’s current stars with one of its most prolific veterans. ...
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According to The Guardian’s source item, Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles, (Unheard of Hope) The Guatemalan newcomer and US veteran find striking common ground on an intimate collaboration full of agitation, complexity and uncanny chemistry This dreamlike, intimate album unites one of experimental music’s current stars with one of its most prolific veterans. During an interview promoting 2024’s acclaimed Sentir Que No Sabes , 34-year-old Guatemalan cellist Mabe Fratti praised Bill Orcutt, the 64-year-old US guitarist whose disjointed, aggressive four-string playing – honed in 90s noise-rock band Harry Pussy – graces more than 100 records. Orcutt reached out, and they started sharing files. While their friendship is new, Almost Waking reveals a deep kinship between these true originals. The album centres on conversational duets between Fratti’s cello and Orcutt’s guitar. On the overdriven Forced & Forced & Forced, Orcutt’s trademark string-snapping pluck
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Primary source: Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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