Wire report
Lambchop: Punching the Clown review – spectral, spellbindingly ambiguous stirring of US history
(City Slang) Sounding weathered but undimmed, Kurt Wagner feels as if he’s standing right in front of you as he sings superb, choir-swathed songs that invite and unsettle Thirty-two years on from their debut album – and 26 from Nixon , the gorgeous country/soul confection that brought “Nashville’s most fucked-up country band” to a wider audience – Lambchop find themselves in a curious position. Their sole continuous member Kurt Wagner has displayed an admirable disinclination to rest on his laurels. He followed up Nixon with the austere, piano-driven Is a Woman and subsequently diverted into electronics, smothered his voice in Auto-Tune and distortion. Their last album, 2022’s The Bible , threw up everything from house music to glitchy rhythms to ambient drift to accompany Wagner’s pained ruminations on mortality and faith. Throughout, Lambchop have kept up a remarkable level of quality
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(City Slang) Sounding weathered but undimmed, Kurt Wagner feels as if he’s standing right in front of you as he sings superb, choir-swathed songs that invite and unsettle Thirty-two years on from their debut album – and 26 from Nixon , the gorgeous country/soul confection that brought “Nashville’s most fucked-up country band” to a wider audience – Lambchop find themselves in a curious position. Their sole continuous member Kurt Wagner has displayed an admirable disinclination to rest on his laurels. He followed up Nixon with the austere, piano-driven Is a Woman and subsequently diverted into electronics, smothered his voice in Auto-Tune and distortion. Their last album, 2022’s The Bible , threw up everything from house music to glitchy rhythms to ambient drift to accompany Wagner’s pained ruminations on mortality and faith. Throughout, Lambchop have kept up a remarkable level of quality
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According to The Guardian’s linked report, Lambchop: Punching the Clown review – spectral, spellbindingly ambiguous stirring of US history, (City Slang) Sounding weathered but undimmed, Kurt Wagner feels as if he’s standing right in front of you as he sings superb, choir-swathed songs that invite and unsettle Thirty-two years on from their debut album – and 26 from Nixon , the gorgeous country/soul confection that brought “Nashville’s most fucked-up country band” to a wider audience – Lambchop find themselves in a curious position. Their sole continuous member Kurt Wagner has displayed an admirable disinclination to rest on his laurels. He followed up Nixon with the austere, piano-driven Is a Woman and subsequently diverted into electronics, smothered his voice in Auto-Tune and distortion. Their last album, 2022’s The Bible , threw up everything from house music to glitchy rhythms to ambient drift to accompany Wagner’s pained ruminations on mortality and faith. Throughout, Lambchop have kept up a remarkable level of quality
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-08-20T11:06:11+00:00.
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Primary source: Lambchop: Punching the Clown review – spectral, spellbindingly ambiguous stirring of US history via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Lambchop: Punching the Clown review – spectral, spellbindingly ambiguous stirring of US historyThe Guardian - 2026-08-20T11:06:11+00:00
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