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‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history

Project a Black Planet: Film, a new season of screenings at the Barbican in London exemplifies how the movement was an act of solidarity, resistance and fierce creativity Algiers, 1969. What had, for seven years, been the metropolis of a newly independent country became, over the course of 12 days in July, the cosmopolitan centre of an entire continent. That summer, Algeria played host to the first Pan-African Cultural festival (Panaf) and the capital’s streets were transformed into a vista of energising performers, flanked by placards announcing each country’s delegation: Ethiopia, Liberia, Mali. Picture an Olympics-style opening ceremony, then discard it, for the images captured in William Klein’s documentary of the event, The Pan-African Festival of Algiers, hint at the very dissolving of barriers between spectacle and spectator – an act that brings to life a quote, shown on screen, f

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Project a Black Planet: Film, a new season of screenings at the Barbican in London exemplifies how the movement was an act of solidarity, resistance and fierce creativity Algiers, 1969. What had, for seven years, been the metropolis of a newly independent country became, over the course of 12 days in July, the cosmopolitan centre of an entire continent. That summer, Algeria played host to the first Pan-African Cultural festival (Panaf) and the capital’s streets were transformed into a vista of energising performers, flanked by placards announcing each country’s delegation: Ethiopia, Liberia, Mali. Picture an Olympics-style opening ceremony, then discard it, for the images captured in William Klein’s documentary of the event, The Pan-African Festival of Algiers, hint at the very dissolving of barriers between spectacle and spectator – an act that brings to life a quote, shown on screen, f

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According to The Guardian’s linked report, ‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history, Project a Black Planet: Film, a new season of screenings at the Barbican in London exemplifies how the movement was an act of solidarity, resistance and fierce creativity Algiers, 1969. What had, for seven years, been the metropolis of a newly independent country became, over the course of 12 days in July, the cosmopolitan centre of an entire continent. That summer, Algeria played host to the first Pan-African Cultural festival (Panaf) and the capital’s streets were transformed into a vista of energising performers, flanked by placards announcing each country’s delegation: Ethiopia, Liberia, Mali. Picture an Olympics-style opening ceremony, then discard it, for the images captured in William Klein’s documentary of the event, The Pan-African Festival of Algiers, hint at the very dissolving of barriers between spectacle and spectator – an act that brings to life a quote, shown on screen, f

Context

The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-07-14T14:19:21+00:00.

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Primary source: ‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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