Wire report
‘It’s more freaky, more balls to the wall’: how alt-country won over a new generation
From Waxahatchee and Florry in the US to Brown Horse and Little Grandad in the UK, a wave of young songwriters are reinvigorating the subgenre’s earnest emotion and twang ‘It’s so important to talk about this before it’s gone,” says Francie Medosch, singer, guitarist and songwriter of the band Florry, “because it’s really a flash in the pan.” The flash she means is a brief moment where it feels as though on both sides of the Atlantic, scores of exciting indie bands are playing something that, without slavish copying, has plainly drawn inspiration from alt-country, the music that emerged in the US in the late 1980s and early 90s, when former punks such as Uncle Tupelo – featuring future Wilco co-founder Jeff Tweedy – and the Bottle Rockets picked up picked up fiddles, banjos and acoustic guitars. In the UK, Brown Horse and Vegas Water Taxi have the weeping pedal steel, in the former case
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From Waxahatchee and Florry in the US to Brown Horse and Little Grandad in the UK, a wave of young songwriters are reinvigorating the subgenre’s earnest emotion and twang ‘It’s so important to talk about this before it’s gone,” says Francie Medosch, singer, guitarist and songwriter of the band Florry, “because it’s really a flash in the pan.” The flash she means is a brief moment where it feels as though on both sides of the Atlantic, scores of exciting indie bands are playing something that, without slavish copying, has plainly drawn inspiration from alt-country, the music that emerged in the US in the late 1980s and early 90s, when former punks such as Uncle Tupelo – featuring future Wilco co-founder Jeff Tweedy – and the Bottle Rockets picked up picked up fiddles, banjos and acoustic guitars. In the UK, Brown Horse and Vegas Water Taxi have the weeping pedal steel, in the former case
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According to The Guardian’s source item, ‘It’s more freaky, more balls to the wall’: how alt-country won over a new generation, From Waxahatchee and Florry in the US to Brown Horse and Little Grandad in the UK, a wave of young songwriters are reinvigorating the subgenre’s earnest emotion and twang ‘It’s so important to talk about this before it’s gone,” says Francie Medosch, singer, guitarist and songwriter of the band Florry, “because it’s really a flash in the pan.” The flash she means is a brief moment where it feels as though on both sides of the Atlantic, scores of exciting indie bands are playing something that, without slavish copying, has plainly drawn inspiration from alt-country, the music that emerged in the US in the late 1980s and early 90s, when former punks such as Uncle Tupelo – featuring future Wilco co-founder Jeff Tweedy – and the Bottle Rockets picked up picked up fiddles, banjos and acoustic guitars. In the UK, Brown Horse and Vegas Water Taxi have the weeping pedal steel, in the former case
Context
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Primary source: ‘It’s more freaky, more balls to the wall’: how alt-country won over a new generation via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘It’s more freaky, more balls to the wall’: how alt-country won over a new generationThe Guardian - 2026-09-01T10:14:22+00:00
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