Wire report

Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy

Venice film festival Jack O’Connell is terrific as editor Larry Lamb in James Graham’s tale of Rupert Murdoch, Page 3 and the newspaper that transformed Fleet Street Danny Boyle presents us with a lurid, violent and thumpingly unsubtle movie full of Dutch angles, cartoony shocks and gargoyle closeups. It’s a chapter in the prehistory of modern media, adapted by James Graham from his 2017 stage play , filled with shame and fear and self-hate. It is in fact the story of the Sun newspaper, and how Rupert Murdoch (Guy Pearce) bought the ailing minor title in the late 60s and hired a tough Yorkshire newspaperman, Larry Lamb, to turn it into a raucous and gleefully vulgar circulation powerhouse. Ink summons up the energy and frenzy of tabloid papers of the era, but also – and not entirely intentionally – how strangely depressing they were. Audiences used to the super-rich anomie of the Roy fam

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Venice film festival Jack O’Connell is terrific as editor Larry Lamb in James Graham’s tale of Rupert Murdoch, Page 3 and the newspaper that transformed Fleet Street Danny Boyle presents us with a lurid, violent and thumpingly unsubtle movie full of Dutch angles, cartoony shocks and gargoyle closeups. It’s a chapter in the prehistory of modern media, adapted by James Graham from his 2017 stage play , filled with shame and fear and self-hate. It is in fact the story of the Sun newspaper, and how Rupert Murdoch (Guy Pearce) bought the ailing minor title in the late 60s and hired a tough Yorkshire newspaperman, Larry Lamb, to turn it into a raucous and gleefully vulgar circulation powerhouse. Ink summons up the energy and frenzy of tabloid papers of the era, but also – and not entirely intentionally – how strangely depressing they were. Audiences used to the super-rich anomie of the Roy fam

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According to The Guardian’s source item, Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy, Venice film festival Jack O’Connell is terrific as editor Larry Lamb in James Graham’s tale of Rupert Murdoch, Page 3 and the newspaper that transformed Fleet Street Danny Boyle presents us with a lurid, violent and thumpingly unsubtle movie full of Dutch angles, cartoony shocks and gargoyle closeups. It’s a chapter in the prehistory of modern media, adapted by James Graham from his 2017 stage play , filled with shame and fear and self-hate. It is in fact the story of the Sun newspaper, and how Rupert Murdoch (Guy Pearce) bought the ailing minor title in the late 60s and hired a tough Yorkshire newspaperman, Larry Lamb, to turn it into a raucous and gleefully vulgar circulation powerhouse. Ink summons up the energy and frenzy of tabloid papers of the era, but also – and not entirely intentionally – how strangely depressing they were. Audiences used to the super-rich anomie of the Roy fam

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The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-02T18:24:34+00:00.

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Primary source: Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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