Wire report
Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy
Venice film festival Jack O’Connell is terrific as editor Larry Lamb in James Graham’s tale of Rupert Murdoch, Page 3 and the newspaper that transformed Fleet Street Danny Boyle presents us with a lurid, violent and thumpingly unsubtle movie full of Dutch angles, cartoony shocks and gargoyle closeups. It’s a chapter in the prehistory of modern media, adapted by James Graham from his 2017 stage play , filled with shame and fear and self-hate. It is in fact the story of the Sun newspaper, and how Rupert Murdoch (Guy Pearce) bought the ailing minor title in the late 60s and hired a tough Yorkshire newspaperman, Larry Lamb, to turn it into a raucous and gleefully vulgar circulation powerhouse. Ink summons up the energy and frenzy of tabloid papers of the era, but also – and not entirely intentionally – how strangely depressing they were. Audiences used to the super-rich anomie of the Roy fam
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Venice film festival Jack O’Connell is terrific as editor Larry Lamb in James Graham’s tale of Rupert Murdoch, Page 3 and the newspaper that transformed Fleet Street Danny Boyle presents us with a lurid, violent and thumpingly unsubtle movie full of Dutch angles, cartoony shocks and gargoyle closeups. It’s a chapter in the prehistory of modern media, adapted by James Graham from his 2017 stage play , filled with shame and fear and self-hate. It is in fact the story of the Sun newspaper, and how Rupert Murdoch (Guy Pearce) bought the ailing minor title in the late 60s and hired a tough Yorkshire newspaperman, Larry Lamb, to turn it into a raucous and gleefully vulgar circulation powerhouse. Ink summons up the energy and frenzy of tabloid papers of the era, but also – and not entirely intentionally – how strangely depressing they were. Audiences used to the super-rich anomie of the Roy fam
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According to The Guardian’s source item, Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy, Venice film festival Jack O’Connell is terrific as editor Larry Lamb in James Graham’s tale of Rupert Murdoch, Page 3 and the newspaper that transformed Fleet Street Danny Boyle presents us with a lurid, violent and thumpingly unsubtle movie full of Dutch angles, cartoony shocks and gargoyle closeups. It’s a chapter in the prehistory of modern media, adapted by James Graham from his 2017 stage play , filled with shame and fear and self-hate. It is in fact the story of the Sun newspaper, and how Rupert Murdoch (Guy Pearce) bought the ailing minor title in the late 60s and hired a tough Yorkshire newspaperman, Larry Lamb, to turn it into a raucous and gleefully vulgar circulation powerhouse. Ink summons up the energy and frenzy of tabloid papers of the era, but also – and not entirely intentionally – how strangely depressing they were. Audiences used to the super-rich anomie of the Roy fam
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Primary source: Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzyThe Guardian - 2026-09-02T18:24:34+00:00
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