Wire report

‘I must continue until I die’: inside the fight to bring Iran’s thriving art scene to the world

Amid economic sanctions and ongoing conflict, a new initiative is returning Iran’s artists to the international spotlight When the call came early one morning, Tehran resident Elham Issari knew it must be urgent. The voice on the line was offering something precious. “Miss Elham,” he said excitedly, “I have a single tube of white paint! It’s overpriced and I know it’s overpriced but, if you want it, you have to buy it right now because there’s this other guy in this other city who wants it and you have to tell me within the next five minutes.” The tube of white paint would have cost Issari 5m tomans (about $36), she recalls. “I was like, I don’t think so, because that’s overpriced, and the next thing you know is it’s 4am and I’m on YouTube watching how to make lead white in your backyard without getting lead poisoning.” Continue reading...

Image from linked report: ‘I must continue until I die’: inside the fight to bring Iran’s thriving art scene to the world
Image from the linked report: ‘I must continue until I die’: inside the fight to bring Iran’s thriving art scene to the world.Credit: The Guardian Thumbnail shown with attribution and outbound source link; VINI does not claim ownership or republish the original article body. Image source Image shown with attribution and an outbound source link; VINI does not claim ownership or republish the original article body.
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Why it mattersCulture

Amid economic sanctions and ongoing conflict, a new initiative is returning Iran’s artists to the international spotlight When the call came early one morning, Tehran resident Elham Issari knew it must be urgent. The voice on the line was offering something precious. “Miss Elham,” he said excitedly, “I have a single tube of white paint! It’s overpriced and I know it’s overpriced but, if you want it, you have to buy it right now because there’s this other guy in this other city who wants it and you have to tell me within the next five minutes.” The tube of white paint would have cost Issari 5m tomans (about $36), she recalls. “I was like, I don’t think so, because that’s overpriced, and the next thing you know is it’s 4am and I’m on YouTube watching how to make lead white in your backyard without getting lead poisoning.” Continue reading...

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What happened

According to The Guardian’s source item, ‘I must continue until I die’: inside the fight to bring Iran’s thriving art scene to the world, Amid economic sanctions and ongoing conflict, a new initiative is returning Iran’s artists to the international spotlight When the call came early one morning, Tehran resident Elham Issari knew it must be urgent. The voice on the line was offering something precious. “Miss Elham,” he said excitedly, “I have a single tube of white paint! It’s overpriced and I know it’s overpriced but, if you want it, you have to buy it right now because there’s this other guy in this other city who wants it and you have to tell me within the next five minutes.” The tube of white paint would have cost Issari 5m tomans (about $36), she recalls. “I was like, I don’t think so, because that’s overpriced, and the next thing you know is it’s 4am and I’m on YouTube watching how to make lead white in your backyard without getting lead poisoning.” Continue reading…

Context

The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-10-14T14:00:05+00:00.

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Source

Primary source: ‘I must continue until I die’: inside the fight to bring Iran’s thriving art scene to the world via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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