Verified source report
‘I’m carrying rage like a blood-filled egg’: the best of Glasgow International – review
From his deathbed photographs of his former lover to a face emerging from dirt, New Yorker David Wojnarowicz is the festival standout, although Renèe Helèna Browne’s film about cows contains multitudes Setting the mood for this year’s Glasgow International (GI) is a show dedicated to David Wojnarowicz – artist, writer and fixture of the 1980s East Village scene . Including paintings, photographs and video works, it is arranged inside a Georgian terrace house so decayed that you can see through perforations in the building’s fabric. Stoop to peer between crumbling bricks and you’ll see a reproduction of a mural of a cow’s head that Wojnarowicz painted in the New York piers. On the top floor, Wojnarowicz’s deathbed photographs of his former lover Peter Hujar occupy one elegiac wall. Look up. Through the splintered ceiling play fragments of a film unfinished at Wojnarowicz’s death, in 1992,
What happened
According to The Guardian’s source item, ‘I’m carrying rage like a blood-filled egg’: the best of Glasgow International – review, From his deathbed photographs of his former lover to a face emerging from dirt, New Yorker David Wojnarowicz is the festival standout, although Renèe Helèna Browne’s film about cows contains multitudes Setting the mood for this year’s Glasgow International (GI) is a show dedicated to David Wojnarowicz – artist, writer and fixture of the 1980s East Village scene . Including paintings, photographs and video works, it is arranged inside a Georgian terrace house so decayed that you can see through perforations in the building’s fabric. Stoop to peer between crumbling bricks and you’ll see a reproduction of a mural of a cow’s head that Wojnarowicz painted in the New York piers. On the top floor, Wojnarowicz’s deathbed photographs of his former lover Peter Hujar occupy one elegiac wall. Look up. Through the splintered ceiling play fragments of a film unfinished at Wojnarowicz’s death, in 1992,
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-10T14:25:20+00:00.
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Source
Primary source: ‘I’m carrying rage like a blood-filled egg’: the best of Glasgow International – review via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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Source links
- ‘I’m carrying rage like a blood-filled egg’: the best of Glasgow International – reviewThe Guardian - 2026-06-10T14:25:20+00:00
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