Wire report
‘I love the boldness of modernism’: New York fashion week goes highbrow
Georgia O’Keeffe inspires the latest Calvin Klein while Michael Kors feels indebted to Alexander Calder Calvin Klein has taken a highbrow turn in the two years since Veronica Leoni took charge. The Italian designer, a philosophy graduate who was schooled in the chic design studios of Jil Sander and Celine, has shifted away from jeans, boxer shorts and logos, stripping the brand to its minimalist bones: slip dresses and simple coats, slim skirts and crisp T-shirts. Leoni called this the “discipline of removal”. Her muse this season was Georgia O’Keeffe, an artist who the brand’s namesake founder admired. Klein bought O’Keeffe’s painting Summer Days in 1983 for $1m, subsequently donating it to the Whitney Museum. A checked pattern taken from O’Keeffe’s distinctive capsule wardrobe of utilitarian chic appeared on this catwalk as a wrap coat, hardware-free with a fabric belt and no buttons.
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Georgia O’Keeffe inspires the latest Calvin Klein while Michael Kors feels indebted to Alexander Calder Calvin Klein has taken a highbrow turn in the two years since Veronica Leoni took charge. The Italian designer, a philosophy graduate who was schooled in the chic design studios of Jil Sander and Celine, has shifted away from jeans, boxer shorts and logos, stripping the brand to its minimalist bones: slip dresses and simple coats, slim skirts and crisp T-shirts. Leoni called this the “discipline of removal”. Her muse this season was Georgia O’Keeffe, an artist who the brand’s namesake founder admired. Klein bought O’Keeffe’s painting Summer Days in 1983 for $1m, subsequently donating it to the Whitney Museum. A checked pattern taken from O’Keeffe’s distinctive capsule wardrobe of utilitarian chic appeared on this catwalk as a wrap coat, hardware-free with a fabric belt and no buttons.
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What happened
According to The Guardian’s source item, ‘I love the boldness of modernism’: New York fashion week goes highbrow, Georgia O’Keeffe inspires the latest Calvin Klein while Michael Kors feels indebted to Alexander Calder Calvin Klein has taken a highbrow turn in the two years since Veronica Leoni took charge. The Italian designer, a philosophy graduate who was schooled in the chic design studios of Jil Sander and Celine, has shifted away from jeans, boxer shorts and logos, stripping the brand to its minimalist bones: slip dresses and simple coats, slim skirts and crisp T-shirts. Leoni called this the “discipline of removal”. Her muse this season was Georgia O’Keeffe, an artist who the brand’s namesake founder admired. Klein bought O’Keeffe’s painting Summer Days in 1983 for $1m, subsequently donating it to the Whitney Museum. A checked pattern taken from O’Keeffe’s distinctive capsule wardrobe of utilitarian chic appeared on this catwalk as a wrap coat, hardware-free with a fabric belt and no buttons.
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-12T12:08:33+00:00.
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Primary source: ‘I love the boldness of modernism’: New York fashion week goes highbrow via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘I love the boldness of modernism’: New York fashion week goes highbrowThe Guardian - 2026-09-12T12:08:33+00:00
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