Wire report
I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag
The Sorry to Bother You director’s brash and outrageously funny new film, led by Keke Palmer, can be a little too scattershot to make an impact Back in 2018, rapper and activist Boots Riley made his feature film debut with Sorry To Bother You . It’s a caustically funny satire about racial and economic disparity, following a telemarketer played by LaKeith Stanfield, who puts on a “white voice” to succeed. But it also has horse people. That was, for me at least, the point when Sorry To Bother You threatened to break the spell, even in an absurdist fun-house mirror of our fraught world that Riley makes his soapbox. The brash film-maker doesn’t make it easy to love his gonzo agitprop. That’s part of his whole appeal, really. He dares us to resist and gets away with it because he’s such a compelling and necessary voice. Continue reading...
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The Sorry to Bother You director’s brash and outrageously funny new film, led by Keke Palmer, can be a little too scattershot to make an impact Back in 2018, rapper and activist Boots Riley made his feature film debut with Sorry To Bother You . It’s a caustically funny satire about racial and economic disparity, following a telemarketer played by LaKeith Stanfield, who puts on a “white voice” to succeed. But it also has horse people. That was, for me at least, the point when Sorry To Bother You threatened to break the spell, even in an absurdist fun-house mirror of our fraught world that Riley makes his soapbox. The brash film-maker doesn’t make it easy to love his gonzo agitprop. That’s part of his whole appeal, really. He dares us to resist and gets away with it because he’s such a compelling and necessary voice. Continue reading...
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According to The Guardian’s linked item, I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag, The Sorry to Bother You director’s brash and outrageously funny new film, led by Keke Palmer, can be a little too scattershot to make an impact Back in 2018, rapper and activist Boots Riley made his feature film debut with Sorry To Bother You . It’s a caustically funny satire about racial and economic disparity, following a telemarketer played by LaKeith Stanfield, who puts on a “white voice” to succeed. But it also has horse people. That was, for me at least, the point when Sorry To Bother You threatened to break the spell, even in an absurdist fun-house mirror of our fraught world that Riley makes his soapbox. The brash film-maker doesn’t make it easy to love his gonzo agitprop. That’s part of his whole appeal, really. He dares us to resist and gets away with it because he’s such a compelling and necessary voice. Continue reading…
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-19T10:00:02+00:00.
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Primary source: I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bagThe Guardian - 2026-05-19T10:00:02+00:00
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