Wire report

I didn’t think it was possible to love Kylie Minogue any more – her new Netflix series changed that | Emma Brockes

After the glut of brand-building shows from other celebrities, the Kylie documentary is radical for simply allowing the star to come across as human Kylie, the new three-part documentary that launched on Netflix on Wednesday and has been making me verklempt ever since, is great in every way it’s possible for TV to be. But on the basis of the first two and a half episodes, a couple of things jump out: Kylie’s almost superhuman ability to stay cheerful in the face of intense provocation, and the extraordinary rudeness she had to tolerate from interviewers back in the day. Here’s Michael Parkinson in 2004, grinning like an alligator and asking her a question considered totally fine at the time: “What about children? You’re 35 now, leaving it a bit late aren’t you?” And a few years later, Cat Deeley, asking roughly the same question, albeit slightly more diplomatically, right after Kylie had

Source-feed image associated with I didn’t think it was possible to love Kylie Minogue any more – her new Netflix series changed that | Emma Brockes
Source-feed image associated with the linked report: I didn’t think it was possible to love Kylie Minogue any more – her new Netflix series changed that | Emma Brockes.Credit: The Guardian Source-feed thumbnail displayed with attribution and outbound source link; VINI does not claim ownership or republish the third-party article body. Image source External source-feed image shown with attribution and an outbound source link; VINI does not claim source-image authorship or republish the third-party article body.
Reading time2 min

coverage / Wire report

Reader toolsFollow the reporting.

Get updates, read source context, send useful records, share the story, or support the reporting work from the reading page.

FollowGet story updatesBriefs and topic returnsContextOpen background1 public sourceContributeSend recordsDocuments, dates, photosSupportFund reportingReader-backed workShareCopy story URLvininews.com
Why it mattersCulture

After the glut of brand-building shows from other celebrities, the Kylie documentary is radical for simply allowing the star to come across as human Kylie, the new three-part documentary that launched on Netflix on Wednesday and has been making me verklempt ever since, is great in every way it’s possible for TV to be. But on the basis of the first two and a half episodes, a couple of things jump out: Kylie’s almost superhuman ability to stay cheerful in the face of intense provocation, and the extraordinary rudeness she had to tolerate from interviewers back in the day. Here’s Michael Parkinson in 2004, grinning like an alligator and asking her a question considered totally fine at the time: “What about children? You’re 35 now, leaving it a bit late aren’t you?” And a few years later, Cat Deeley, asking roughly the same question, albeit slightly more diplomatically, right after Kylie had

What to know1 source

Check the original link, updates, and responses when a detail is contested.

Keep readingmusic-releases

Open topic or search related wording such as records, sources, agencies, dates, and locations.

What happened

According to The Guardian’s linked item, I didn’t think it was possible to love Kylie Minogue any more – her new Netflix series changed that | Emma Brockes, After the glut of brand-building shows from other celebrities, the Kylie documentary is radical for simply allowing the star to come across as human Kylie, the new three-part documentary that launched on Netflix on Wednesday and has been making me verklempt ever since, is great in every way it’s possible for TV to be. But on the basis of the first two and a half episodes, a couple of things jump out: Kylie’s almost superhuman ability to stay cheerful in the face of intense provocation, and the extraordinary rudeness she had to tolerate from interviewers back in the day. Here’s Michael Parkinson in 2004, grinning like an alligator and asking her a question considered totally fine at the time: “What about children? You’re 35 now, leaving it a bit late aren’t you?” And a few years later, Cat Deeley, asking roughly the same question, albeit slightly more diplomatically, right after Kylie had

Context

The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-20T16:47:13+00:00.

What to watch

Open questions include whether primary sources issue follow-up statements, whether local or market impacts become clearer, and whether additional reporting changes the timeline or adds material context.

Source

Primary source: I didn’t think it was possible to love Kylie Minogue any more – her new Netflix series changed that | Emma Brockes via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

Keep following

This file can keep developing

vininews.com uses reader tips, public records, right-of-reply requests, corrections, and follow-up reporting to keep important stories current.

SubscribeGet the next updateSend recordsShare documents or leadsRespondRequest comment or replyDonateSupport reporting costs

Support and subscriptions never buy coverage, placement, suppression, or corrections.

This VINI report keeps the original publisher link available and does not republish third-party article bodies without rights clearance. 1 reference listed.

Source links

Reader comments

Moderated discussion

Account access

Comments are open to authenticated approved accounts, screened for spam and abuse, and published only after newsroom moderation unless editors change the story control.

Loading comments.

No approved comments yet.

Substantive, civil comments can be submitted by approved account holders.