Wire report
‘Give respect to Africa and the bush people’: Mulatu Astatke on pioneering Ethio-jazz and honouring his roots
The multi-instrumentalist faced resistance when he premiered his sound in the 60s but audiences have fallen in love with it since. Now aged 82, he’s still finding new directions – and wants recognition for Africa’s indigenous artists “Do you know the Metro club?” I feign recognition to the 82-year-old father of Ethio-jazz, Mulatu Astatke, who knows the UK capital’s vanished haunts better than I do (the Soho venue closed down decades ago). By then, he had immersed himself in the city’s 60s jazz scene, befriending Ronnie Scott and the saxophonist Joe Harriott, with whom he occasionally jammed across Soho’s clubs, as well as musicians from Africa and the Caribbean. But when he returned to “Swinging Addis” years later with the new genre he’d innovated in England and the United States, the audience at one of his first performances weren’t so taken by his fusion of jazz riffs with the har
coverage / Wire report
Get updates, read source context, send useful records, share the story, or support the reporting work from the reading page.
The multi-instrumentalist faced resistance when he premiered his sound in the 60s but audiences have fallen in love with it since. Now aged 82, he’s still finding new directions – and wants recognition for Africa’s indigenous artists “Do you know the Metro club?” I feign recognition to the 82-year-old father of Ethio-jazz, Mulatu Astatke, who knows the UK capital’s vanished haunts better than I do (the Soho venue closed down decades ago). By then, he had immersed himself in the city’s 60s jazz scene, befriending Ronnie Scott and the saxophonist Joe Harriott, with whom he occasionally jammed across Soho’s clubs, as well as musicians from Africa and the Caribbean. But when he returned to “Swinging Addis” years later with the new genre he’d innovated in England and the United States, the audience at one of his first performances weren’t so taken by his fusion of jazz riffs with the har
Check the original link, updates, and responses when a detail is contested.
Open topic or search related wording such as records, sources, agencies, dates, and locations.
What happened
According to The Guardian’s linked report, ‘Give respect to Africa and the bush people’: Mulatu Astatke on pioneering Ethio-jazz and honouring his roots, The multi-instrumentalist faced resistance when he premiered his sound in the 60s but audiences have fallen in love with it since. Now aged 82, he’s still finding new directions – and wants recognition for Africa’s indigenous artists “Do you know the Metro club?” I feign recognition to the 82-year-old father of Ethio-jazz, Mulatu Astatke, who knows the UK capital’s vanished haunts better than I do (the Soho venue closed down decades ago). By then, he had immersed himself in the city’s 60s jazz scene, befriending Ronnie Scott and the saxophonist Joe Harriott, with whom he occasionally jammed across Soho’s clubs, as well as musicians from Africa and the Caribbean. But when he returned to “Swinging Addis” years later with the new genre he’d innovated in England and the United States, the audience at one of his first performances weren’t so taken by his fusion of jazz riffs with the har
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked report is dated 2026-07-30T07:00:56+00:00.
What to watch
Open questions include whether primary sources issue follow-up statements, whether local or market impacts become clearer, and whether additional reporting changes the timeline or adds material context.
Source
Primary source: ‘Give respect to Africa and the bush people’: Mulatu Astatke on pioneering Ethio-jazz and honouring his roots via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
Keep following
This file can keep developing
vininews.com uses reader tips, public records, right-of-reply requests, corrections, and follow-up reporting to keep important stories current.
Support and subscriptions never buy coverage, placement, suppression, or corrections.
This VINI report keeps the original publisher link available and does not republish third-party article bodies without rights clearance. 1 reference listed.
Source links
- ‘Give respect to Africa and the bush people’: Mulatu Astatke on pioneering Ethio-jazz and honouring his rootsThe Guardian - 2026-07-30T07:00:56+00:00
Reader comments
Moderated discussion
Comments are open to authenticated approved accounts, screened for spam and abuse, and published only after newsroom moderation unless editors change the story control.
No approved comments yet.
Substantive, civil comments can be submitted by approved account holders.