Wire report
Female Perversions review – Tilda Swinton searches for erotic adventures in rework of Madame Bovary
The actor’s 1996 first US film, as a lawyer trying to manage her complicated love life and traumatic fantasies, marked her out as a screen presence like no other Tilda Swinton made her US debut 30 years ago with this insouciant, startling, experimental adventure in eroticism and neuroticism. It’s an amazingly unselfconscious performance which marked her out as quite unlike any other female lead, all but impossible to cast in boilerplate Hollywood cinema. First-time indie film-maker Susan Streitfeld was director and co-writer on this adaptation of psychoanalyst Louise J Kaplan ’s nonfiction study Female Perversions: The Temptations of Emma Bovary, which suggested that what we think of perversions are not clinical pathologies, but creative and liberating strategies, nonconformist choreographies, modes of escaping oppressive gender roles, and a rational search for pleasure. Streitfeld’s fic
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The actor’s 1996 first US film, as a lawyer trying to manage her complicated love life and traumatic fantasies, marked her out as a screen presence like no other Tilda Swinton made her US debut 30 years ago with this insouciant, startling, experimental adventure in eroticism and neuroticism. It’s an amazingly unselfconscious performance which marked her out as quite unlike any other female lead, all but impossible to cast in boilerplate Hollywood cinema. First-time indie film-maker Susan Streitfeld was director and co-writer on this adaptation of psychoanalyst Louise J Kaplan ’s nonfiction study Female Perversions: The Temptations of Emma Bovary, which suggested that what we think of perversions are not clinical pathologies, but creative and liberating strategies, nonconformist choreographies, modes of escaping oppressive gender roles, and a rational search for pleasure. Streitfeld’s fic
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According to The Guardian’s source item, Female Perversions review – Tilda Swinton searches for erotic adventures in rework of Madame Bovary, The actor’s 1996 first US film, as a lawyer trying to manage her complicated love life and traumatic fantasies, marked her out as a screen presence like no other Tilda Swinton made her US debut 30 years ago with this insouciant, startling, experimental adventure in eroticism and neuroticism. It’s an amazingly unselfconscious performance which marked her out as quite unlike any other female lead, all but impossible to cast in boilerplate Hollywood cinema. First-time indie film-maker Susan Streitfeld was director and co-writer on this adaptation of psychoanalyst Louise J Kaplan ’s nonfiction study Female Perversions: The Temptations of Emma Bovary, which suggested that what we think of perversions are not clinical pathologies, but creative and liberating strategies, nonconformist choreographies, modes of escaping oppressive gender roles, and a rational search for pleasure. Streitfeld’s fic
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- Female Perversions review – Tilda Swinton searches for erotic adventures in rework of Madame BovaryThe Guardian - 2026-11-11T10:00:36+00:00
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