Wire report
Faces of Death review – rework of notorious video nasty turns horror voyeurism into moral panic fable
A retelling of the 1978 ‘video nasty’ follows an online content moderator faced with steadily more appalling footage but reverts to generic bloodletting Emerging amid the original 1970s home-rental boom, John Alan Schwartz’s 1978 film Faces of Death was an ultra-morbid extension of the so-called “ mondo ” genre. Mashing up gruesome footage – much of it faked, some of it legit enough to provoke ghoulish chatter – it achieved sleepover notoriety and then received a further publicity boost upon making the DPP’s “video nasty” list. What comes now, nearly half a century later, is less a reboot than postmodern rethink. Daniel Goldhaber, who broke through with 2022’s tense social-activism thriller How to Blow Up a Pipeline , has patched some of the original’s images into a more conventional digital-age horror narrative that initially resembles an American equivalent of Prano Bailey-Bond’s Censo
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A retelling of the 1978 ‘video nasty’ follows an online content moderator faced with steadily more appalling footage but reverts to generic bloodletting Emerging amid the original 1970s home-rental boom, John Alan Schwartz’s 1978 film Faces of Death was an ultra-morbid extension of the so-called “ mondo ” genre. Mashing up gruesome footage – much of it faked, some of it legit enough to provoke ghoulish chatter – it achieved sleepover notoriety and then received a further publicity boost upon making the DPP’s “video nasty” list. What comes now, nearly half a century later, is less a reboot than postmodern rethink. Daniel Goldhaber, who broke through with 2022’s tense social-activism thriller How to Blow Up a Pipeline , has patched some of the original’s images into a more conventional digital-age horror narrative that initially resembles an American equivalent of Prano Bailey-Bond’s Censo
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According to The Guardian’s source item, Faces of Death review – rework of notorious video nasty turns horror voyeurism into moral panic fable, A retelling of the 1978 ‘video nasty’ follows an online content moderator faced with steadily more appalling footage but reverts to generic bloodletting Emerging amid the original 1970s home-rental boom, John Alan Schwartz’s 1978 film Faces of Death was an ultra-morbid extension of the so-called “ mondo ” genre. Mashing up gruesome footage – much of it faked, some of it legit enough to provoke ghoulish chatter – it achieved sleepover notoriety and then received a further publicity boost upon making the DPP’s “video nasty” list. What comes now, nearly half a century later, is less a reboot than postmodern rethink. Daniel Goldhaber, who broke through with 2022’s tense social-activism thriller How to Blow Up a Pipeline , has patched some of the original’s images into a more conventional digital-age horror narrative that initially resembles an American equivalent of Prano Bailey-Bond’s Censo
Context
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Primary source: Faces of Death review – rework of notorious video nasty turns horror voyeurism into moral panic fable via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Faces of Death review – rework of notorious video nasty turns horror voyeurism into moral panic fableThe Guardian - 2026-09-04T06:00:01+00:00
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