Wire report
Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
Toronto film festival: the actor gives his greatest screen performance to date as the Chariots of Fire star who spends his final months playing Hamlet on stage It was an endlessly parodied cliche that any queer film released during a certain period would be about one thing and one thing only: Aids. In 1993, Philadelphia showed a wider audience a mostly clean and palatable version of the crisis, and won Oscars for doing so, and for a time, when gay men weren’t acting as sassy friends to women in need, they were coughing up blood in lonely hospital beds. The inevitable and understandable pushback, allowing for a wider breadth of stories, brought us more “queer joy” and “chosen family” but it also allowed some to forget just what a time of unimaginable annihilation it was. It also reframed the period as an onslaught of Aids movies when the majority of them existed on the outskirts still , f
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Toronto film festival: the actor gives his greatest screen performance to date as the Chariots of Fire star who spends his final months playing Hamlet on stage It was an endlessly parodied cliche that any queer film released during a certain period would be about one thing and one thing only: Aids. In 1993, Philadelphia showed a wider audience a mostly clean and palatable version of the crisis, and won Oscars for doing so, and for a time, when gay men weren’t acting as sassy friends to women in need, they were coughing up blood in lonely hospital beds. The inevitable and understandable pushback, allowing for a wider breadth of stories, brought us more “queer joy” and “chosen family” but it also allowed some to forget just what a time of unimaginable annihilation it was. It also reframed the period as an onslaught of Aids movies when the majority of them existed on the outskirts still , f
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According to The Guardian’s source item, Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama, Toronto film festival: the actor gives his greatest screen performance to date as the Chariots of Fire star who spends his final months playing Hamlet on stage It was an endlessly parodied cliche that any queer film released during a certain period would be about one thing and one thing only: Aids. In 1993, Philadelphia showed a wider audience a mostly clean and palatable version of the crisis, and won Oscars for doing so, and for a time, when gay men weren’t acting as sassy friends to women in need, they were coughing up blood in lonely hospital beds. The inevitable and understandable pushback, allowing for a wider breadth of stories, brought us more “queer joy” and “chosen family” but it also allowed some to forget just what a time of unimaginable annihilation it was. It also reframed the period as an onslaught of Aids movies when the majority of them existed on the outskirts still , f
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The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-14T21:59:00+00:00.
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Primary source: Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids dramaThe Guardian - 2026-09-14T21:59:00+00:00
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