Wire report
‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece
They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again Suits. Gnomic poetry. Moody, insistent riffs. It used to be that you’d know what to expect from NYC rockers Interpol. The band’s first two albums, in the early 00s, were blockbuster successes, shifting half a million units each thanks to dramatic songs also fit for jerking around at an indie disco. Interpol duly jumped up to a major label, but then quickly fell back down again. Their talismanic bassist Carlos Dengler quit, and the band settled into a decade of solidly successful but pretty predictable albums. The most recent, 2022’s The Other Side of Make Believe, only reached No 178 on the US charts. So it’s a bit unexpected that their upcoming eighth album, This Mirror Weighs a Ton, is their masterpiece. “We just
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They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again Suits. Gnomic poetry. Moody, insistent riffs. It used to be that you’d know what to expect from NYC rockers Interpol. The band’s first two albums, in the early 00s, were blockbuster successes, shifting half a million units each thanks to dramatic songs also fit for jerking around at an indie disco. Interpol duly jumped up to a major label, but then quickly fell back down again. Their talismanic bassist Carlos Dengler quit, and the band settled into a decade of solidly successful but pretty predictable albums. The most recent, 2022’s The Other Side of Make Believe, only reached No 178 on the US charts. So it’s a bit unexpected that their upcoming eighth album, This Mirror Weighs a Ton, is their masterpiece. “We just
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What happened
According to The Guardian’s linked item, ‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece, They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again Suits. Gnomic poetry. Moody, insistent riffs. It used to be that you’d know what to expect from NYC rockers Interpol. The band’s first two albums, in the early 00s, were blockbuster successes, shifting half a million units each thanks to dramatic songs also fit for jerking around at an indie disco. Interpol duly jumped up to a major label, but then quickly fell back down again. Their talismanic bassist Carlos Dengler quit, and the band settled into a decade of solidly successful but pretty predictable albums. The most recent, 2022’s The Other Side of Make Believe, only reached No 178 on the US charts. So it’s a bit unexpected that their upcoming eighth album, This Mirror Weighs a Ton, is their masterpiece. “We just
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-06-26T04:00:08+00:00.
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Source
Primary source: ‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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Source links
- ‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpieceThe Guardian - 2026-06-26T04:00:08+00:00
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