Wire report
Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar
Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered Though it features few recognisable faces, this Australian-shot, US-set indie horror displays a core competency that gets it some of the way to where it’s heading – only to collapse in the final reels into the usual hacky manoeuvres. Ten years after fleeing a fundamentalist branch of the Latter-day Saints, snub-nosed artist heroine Elise (Elizabeth Cullen) has started shunning the attentions of boyfriend Adam (John Kim), instead obsessively digging holes in the couple’s back garden and trashing the living room in the middle of the night. Could it have something to do with the grimy cellar door she feels compelled to paint, or the traumatic baptism we witness in a pre-title sequence? What are the chances? For somewhere between half and two-thirds of its running ti
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Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered Though it features few recognisable faces, this Australian-shot, US-set indie horror displays a core competency that gets it some of the way to where it’s heading – only to collapse in the final reels into the usual hacky manoeuvres. Ten years after fleeing a fundamentalist branch of the Latter-day Saints, snub-nosed artist heroine Elise (Elizabeth Cullen) has started shunning the attentions of boyfriend Adam (John Kim), instead obsessively digging holes in the couple’s back garden and trashing the living room in the middle of the night. Could it have something to do with the grimy cellar door she feels compelled to paint, or the traumatic baptism we witness in a pre-title sequence? What are the chances? For somewhere between half and two-thirds of its running ti
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According to The Guardian’s linked item, Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar, Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered Though it features few recognisable faces, this Australian-shot, US-set indie horror displays a core competency that gets it some of the way to where it’s heading – only to collapse in the final reels into the usual hacky manoeuvres. Ten years after fleeing a fundamentalist branch of the Latter-day Saints, snub-nosed artist heroine Elise (Elizabeth Cullen) has started shunning the attentions of boyfriend Adam (John Kim), instead obsessively digging holes in the couple’s back garden and trashing the living room in the middle of the night. Could it have something to do with the grimy cellar door she feels compelled to paint, or the traumatic baptism we witness in a pre-title sequence? What are the chances? For somewhere between half and two-thirds of its running ti
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-21T06:00:02+00:00.
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Primary source: Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellarThe Guardian - 2026-05-21T06:00:02+00:00
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