Wire report
DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character
Venice film festival: The director’s bleak epic project about the scientist Lev Landau finally focuses on the genius maudit who inspired the series How would it be if Christopher Nolan got sidetracked while making Oppenheimer, and decided to spend 20 years and millions of dollars of other people’s money reconstructing the Los Alamos HQ in all its minute detail, which would be the site of a gigantic immersive multimedia project, releasing epic and sexually explicit sidebar movies about … someone who worked in the commissary … or a scary incidental guy from the CIA … before finally getting round to the fundamental main-event movie with Cillian Murphy as the A-bomb’s father? Perhaps it would be something like Ilya Krzhanovsky’s authentically mad, obsessively sexual, and spectacularly pessimistic epic project about the Soviet scientist and Nobel laureate Lev Landau, or “Dau”, whose work span
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Venice film festival: The director’s bleak epic project about the scientist Lev Landau finally focuses on the genius maudit who inspired the series How would it be if Christopher Nolan got sidetracked while making Oppenheimer, and decided to spend 20 years and millions of dollars of other people’s money reconstructing the Los Alamos HQ in all its minute detail, which would be the site of a gigantic immersive multimedia project, releasing epic and sexually explicit sidebar movies about … someone who worked in the commissary … or a scary incidental guy from the CIA … before finally getting round to the fundamental main-event movie with Cillian Murphy as the A-bomb’s father? Perhaps it would be something like Ilya Krzhanovsky’s authentically mad, obsessively sexual, and spectacularly pessimistic epic project about the Soviet scientist and Nobel laureate Lev Landau, or “Dau”, whose work span
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According to The Guardian’s source item, DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character, Venice film festival: The director’s bleak epic project about the scientist Lev Landau finally focuses on the genius maudit who inspired the series How would it be if Christopher Nolan got sidetracked while making Oppenheimer, and decided to spend 20 years and millions of dollars of other people’s money reconstructing the Los Alamos HQ in all its minute detail, which would be the site of a gigantic immersive multimedia project, releasing epic and sexually explicit sidebar movies about … someone who worked in the commissary … or a scary incidental guy from the CIA … before finally getting round to the fundamental main-event movie with Cillian Murphy as the A-bomb’s father? Perhaps it would be something like Ilya Krzhanovsky’s authentically mad, obsessively sexual, and spectacularly pessimistic epic project about the Soviet scientist and Nobel laureate Lev Landau, or “Dau”, whose work span
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The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-09T13:45:00+00:00.
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Primary source: DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central characterThe Guardian - 2026-09-09T13:45:00+00:00
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