Wire report
‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisoners
The written forum allows members of the public to vent their fury at the movies they’ve seen – and the festival organisers In an industry that is reliant on the fickle vagaries of taste, film festivals exist to establish facts. The reason why film-makers still go through the rigmarole of ferrying their cast to the red carpets of Venice, Cannes or Sundance is the need for empirical evidence of unambiguous quality: a solid-gold prize, a top score on the critics’ grid, a record-timed standing ovation that will convince every doubter that this is a great film . Film festivals, in turn, need beautiful A-listers to attract coverage and sponsorship, and hence there is a constant risk that these annual events become gigantic hype machines, in which every turkey is a classic and every half-hearted performance a masterclass. Continue reading...
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The written forum allows members of the public to vent their fury at the movies they’ve seen – and the festival organisers In an industry that is reliant on the fickle vagaries of taste, film festivals exist to establish facts. The reason why film-makers still go through the rigmarole of ferrying their cast to the red carpets of Venice, Cannes or Sundance is the need for empirical evidence of unambiguous quality: a solid-gold prize, a top score on the critics’ grid, a record-timed standing ovation that will convince every doubter that this is a great film . Film festivals, in turn, need beautiful A-listers to attract coverage and sponsorship, and hence there is a constant risk that these annual events become gigantic hype machines, in which every turkey is a classic and every half-hearted performance a masterclass. Continue reading...
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What happened
According to The Guardian’s source item, ‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisoners, The written forum allows members of the public to vent their fury at the movies they’ve seen – and the festival organisers In an industry that is reliant on the fickle vagaries of taste, film festivals exist to establish facts. The reason why film-makers still go through the rigmarole of ferrying their cast to the red carpets of Venice, Cannes or Sundance is the need for empirical evidence of unambiguous quality: a solid-gold prize, a top score on the critics’ grid, a record-timed standing ovation that will convince every doubter that this is a great film . Film festivals, in turn, need beautiful A-listers to attract coverage and sponsorship, and hence there is a constant risk that these annual events become gigantic hype machines, in which every turkey is a classic and every half-hearted performance a masterclass. Continue reading…
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-11T08:59:59+00:00.
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Source
Primary source: ‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisoners via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisonersThe Guardian - 2026-09-11T08:59:59+00:00
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