Wire report
‘Cosy competency porn’: why The Post is my feelgood movie
A reminder of Steven Spielberg’s prowess and speed in the latest in our series of writers highlighting their go-to comfort watches Steven Spielberg was never much of a radical. While Francis Ford Coppola made Apocalypse Now and even George Lucas attacked the Vietnam war with Star Wars, the nervy new Hollywood hotshot was more interested in moviemaking’s toys than its politics. In Peter Biskind’s bestselling book of Tinseltown gossip, Easy Riders, Raging Bulls, the actor Kit Carson remembers running into Spielberg at a party when the tumult of an eventful 1968 presidential campaign was at fever pitch. “Everybody was up,” Carson remembered. “The revolution was about to happen.” All the young director wanted to talk about was how to get a shot while throwing a camera off a roof. In the end, it took him 40 years to produce his own broadside against the US foreign policy of his youth. In unch
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A reminder of Steven Spielberg’s prowess and speed in the latest in our series of writers highlighting their go-to comfort watches Steven Spielberg was never much of a radical. While Francis Ford Coppola made Apocalypse Now and even George Lucas attacked the Vietnam war with Star Wars, the nervy new Hollywood hotshot was more interested in moviemaking’s toys than its politics. In Peter Biskind’s bestselling book of Tinseltown gossip, Easy Riders, Raging Bulls, the actor Kit Carson remembers running into Spielberg at a party when the tumult of an eventful 1968 presidential campaign was at fever pitch. “Everybody was up,” Carson remembered. “The revolution was about to happen.” All the young director wanted to talk about was how to get a shot while throwing a camera off a roof. In the end, it took him 40 years to produce his own broadside against the US foreign policy of his youth. In unch
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According to The Guardian’s linked source, ‘Cosy competency porn’: why The Post is my feelgood movie, A reminder of Steven Spielberg’s prowess and speed in the latest in our series of writers highlighting their go-to comfort watches Steven Spielberg was never much of a radical. While Francis Ford Coppola made Apocalypse Now and even George Lucas attacked the Vietnam war with Star Wars, the nervy new Hollywood hotshot was more interested in moviemaking’s toys than its politics. In Peter Biskind’s bestselling book of Tinseltown gossip, Easy Riders, Raging Bulls, the actor Kit Carson remembers running into Spielberg at a party when the tumult of an eventful 1968 presidential campaign was at fever pitch. “Everybody was up,” Carson remembered. “The revolution was about to happen.” All the young director wanted to talk about was how to get a shot while throwing a camera off a roof. In the end, it took him 40 years to produce his own broadside against the US foreign policy of his youth. In unch
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the publisher account, follow later updates, and compare new coverage against the first published record. The original item is dated 2026-07-06T09:00:01+00:00.
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Primary source: ‘Cosy competency porn’: why The Post is my feelgood movie via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘Cosy competency porn’: why The Post is my feelgood movieThe Guardian - 2026-07-06T09:00:01+00:00
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