Wire report
Clayface review – flesh-stretching DC body horror is very gory but not very good
Liverpool makes for an unconvincing Gotham City in this effectively gross but otherwise middling attempt to milk money from a lesser-known Batman villain A sense of desperation is understandably in the air over at DC, the company, like Marvel, slowly realising that the mass superhero fever has finally broken. There’s still interest there, of course (this summer’s Spider-Man is now the biggest film of all time in the US after all), but it’s no longer good enough to leave a high-speed conveyor belt unmanned, purpose and quality control be damned. 2019 saw a staggering 10 superhero films released in cinemas, and the inevitable exhaustion that followed, also fueled by Covid, led to a gradual winding down, monster hits turning into minor ones and sure bets often becoming expensive flops. As Peter Parker winged his way to box office records this summer, DC’s Supergirl bombed so hard that exper
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Liverpool makes for an unconvincing Gotham City in this effectively gross but otherwise middling attempt to milk money from a lesser-known Batman villain A sense of desperation is understandably in the air over at DC, the company, like Marvel, slowly realising that the mass superhero fever has finally broken. There’s still interest there, of course (this summer’s Spider-Man is now the biggest film of all time in the US after all), but it’s no longer good enough to leave a high-speed conveyor belt unmanned, purpose and quality control be damned. 2019 saw a staggering 10 superhero films released in cinemas, and the inevitable exhaustion that followed, also fueled by Covid, led to a gradual winding down, monster hits turning into minor ones and sure bets often becoming expensive flops. As Peter Parker winged his way to box office records this summer, DC’s Supergirl bombed so hard that exper
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What happened
According to The Guardian’s source item, Clayface review – flesh-stretching DC body horror is very gory but not very good, Liverpool makes for an unconvincing Gotham City in this effectively gross but otherwise middling attempt to milk money from a lesser-known Batman villain A sense of desperation is understandably in the air over at DC, the company, like Marvel, slowly realising that the mass superhero fever has finally broken. There’s still interest there, of course (this summer’s Spider-Man is now the biggest film of all time in the US after all), but it’s no longer good enough to leave a high-speed conveyor belt unmanned, purpose and quality control be damned. 2019 saw a staggering 10 superhero films released in cinemas, and the inevitable exhaustion that followed, also fueled by Covid, led to a gradual winding down, monster hits turning into minor ones and sure bets often becoming expensive flops. As Peter Parker winged his way to box office records this summer, DC’s Supergirl bombed so hard that exper
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-10-21T19:00:54+00:00.
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Source
Primary source: Clayface review – flesh-stretching DC body horror is very gory but not very good via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Clayface review – flesh-stretching DC body horror is very gory but not very goodThe Guardian - 2026-10-21T19:00:54+00:00
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