Verified source report

Bricking it! How a ‘crinkle crankle’ wall reinvented the Serpentine pavilion

Lanza Atelier’s simple, powerful pavilion features an actual serpentine brought to life in a wave of rust-coloured brick – a material never used for the structure before Serving looks all summer on the green carpet of Kensington Gardens, the often wildly experimental Serpentine pavilion is best viewed as a piece of architectural haute couture. For the last 25 years, it has hosted all sorts of fashionistas, from the American Frank Gehry, whose pavilion resembled an explosion in a lumber yard, to Swiss magus Peter Zumthor, who built a charcoal-walled hortus conclusus (contemplative room), that tuned out the wider park landscape entirely. The Serpentine’s rules of engagement are simple: the selected architect should not have built in the UK, so it’s a chance to showcase new or unsung talent. The constellation of largely white male superstars doing elaborate parodies of themselves, which cha

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What happened

According to The Guardian’s source item, Bricking it! How a ‘crinkle crankle’ wall reinvented the Serpentine pavilion, Lanza Atelier’s simple, powerful pavilion features an actual serpentine brought to life in a wave of rust-coloured brick – a material never used for the structure before Serving looks all summer on the green carpet of Kensington Gardens, the often wildly experimental Serpentine pavilion is best viewed as a piece of architectural haute couture. For the last 25 years, it has hosted all sorts of fashionistas, from the American Frank Gehry, whose pavilion resembled an explosion in a lumber yard, to Swiss magus Peter Zumthor, who built a charcoal-walled hortus conclusus (contemplative room), that tuned out the wider park landscape entirely. The Serpentine’s rules of engagement are simple: the selected architect should not have built in the UK, so it’s a chance to showcase new or unsung talent. The constellation of largely white male superstars doing elaborate parodies of themselves, which cha

Context

The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-03T14:24:27+00:00.

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Open questions include whether primary sources issue follow-up statements, whether local or market impacts become clearer, and whether additional reporting changes the timeline or adds material context.

Source

Primary source: Bricking it! How a ‘crinkle crankle’ wall reinvented the Serpentine pavilion via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

This source-cited VINI report links to the original publisher record. VINI does not republish third-party article bodies without rights clearance. 1 source listed.

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