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Betye Saar obituary

Artist whose assemblages of found objects explored racism, ritual and religion In 1972, Betye Saar , who has died aged 99, was invited to take part in a group exhibition of Black artists at the Rainbow Sign community centre in Berkeley, California. In selecting what to show, Saar reached for a figurine of Aunt Jemima from her collection of kitschy trinkets. She placed the mop-carrying breakfast brand character in a glass-fronted box, invoking a religious icon, and added a toy rifle to the other hand. “My intent was to transform a negative, demeaning figure into a positive, empowered woman … a warrior ready to combat servitude and racism,” Saar said. The impact of the Liberation of Aunt Jemima was such that the activist Angela Davis credited it as instrumental in launching the fight for Black female power. More works appropriating racist imagery followed in the same year, each equally vis

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Artist whose assemblages of found objects explored racism, ritual and religion In 1972, Betye Saar , who has died aged 99, was invited to take part in a group exhibition of Black artists at the Rainbow Sign community centre in Berkeley, California. In selecting what to show, Saar reached for a figurine of Aunt Jemima from her collection of kitschy trinkets. She placed the mop-carrying breakfast brand character in a glass-fronted box, invoking a religious icon, and added a toy rifle to the other hand. “My intent was to transform a negative, demeaning figure into a positive, empowered woman … a warrior ready to combat servitude and racism,” Saar said. The impact of the Liberation of Aunt Jemima was such that the activist Angela Davis credited it as instrumental in launching the fight for Black female power. More works appropriating racist imagery followed in the same year, each equally vis

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According to The Guardian’s source item, Betye Saar obituary, Artist whose assemblages of found objects explored racism, ritual and religion In 1972, Betye Saar , who has died aged 99, was invited to take part in a group exhibition of Black artists at the Rainbow Sign community centre in Berkeley, California. In selecting what to show, Saar reached for a figurine of Aunt Jemima from her collection of kitschy trinkets. She placed the mop-carrying breakfast brand character in a glass-fronted box, invoking a religious icon, and added a toy rifle to the other hand. “My intent was to transform a negative, demeaning figure into a positive, empowered woman … a warrior ready to combat servitude and racism,” Saar said. The impact of the Liberation of Aunt Jemima was such that the activist Angela Davis credited it as instrumental in launching the fight for Black female power. More works appropriating racist imagery followed in the same year, each equally vis

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The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-08-23T10:15:55+00:00.

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Primary source: Betye Saar obituary via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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