Verified source report

Anish Kapoor review – this gutsy, gore-splattered show is a divine bloodbath

Hayward Gallery, London Butcher bags, human sacrifice and cavernous black holes … in a world of dry art this stunning exhibition forces us to confront religion and mortality It’s the clinging, transparent PVC that does it, a horribly surgical-looking, synthetic skin covering each of Anish Kapoor ’s three paintings – can we call them that? – entitled Plastic Sacrifice I, II, III. They resemble a serial killer’s trophy art. Through the wrapping you gawp at three-dimensional purple and crimson entrails that slop off the wall, forming valleys and protuberances that, it seems, would collapse all over the floor if the carnage wasn’t contained by these butcher bags. Sensationalist and macabre? Rembrandt’s painting Slaughtered Ox is just as visceral as it contemplates the flayed, hollowed body of a huge ox hanging upside down, its yellow fat and blood-dark meat a mirror of our own doomed flesh,

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According to The Guardian’s source item, Anish Kapoor review – this gutsy, gore-splattered show is a divine bloodbath, Hayward Gallery, London Butcher bags, human sacrifice and cavernous black holes … in a world of dry art this stunning exhibition forces us to confront religion and mortality It’s the clinging, transparent PVC that does it, a horribly surgical-looking, synthetic skin covering each of Anish Kapoor ’s three paintings – can we call them that? – entitled Plastic Sacrifice I, II, III. They resemble a serial killer’s trophy art. Through the wrapping you gawp at three-dimensional purple and crimson entrails that slop off the wall, forming valleys and protuberances that, it seems, would collapse all over the floor if the carnage wasn’t contained by these butcher bags. Sensationalist and macabre? Rembrandt’s painting Slaughtered Ox is just as visceral as it contemplates the flayed, hollowed body of a huge ox hanging upside down, its yellow fat and blood-dark meat a mirror of our own doomed flesh,

Context

The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-06-15T13:01:20+00:00.

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Primary source: Anish Kapoor review – this gutsy, gore-splattered show is a divine bloodbath via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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