Wire report
Willem de Kooning review – the artist’s lifelong rebellion against himself is thrilling to watch
Rijksmuseum, Amsterdam Marking a century since the Dutch artist stowed away to New York, this vast retrospective gloriously showcases the abstract expressionist’s fierce boundary-pushing Willem de Kooning was the last great artist who really knew how to draw. More precisely, if less provocatively, he was the last truly transformative painter to have been schooled in the academic tradition that produces what is still recognised, by most people, as “good drawing”. Accurate in the sense of a photograph but, like a filter on your cameraphone, also subtly tidying up the world to meet the ideals of classical proportion. “Draw what you see and not what you think,” the young De Kooning was told. Raw personal emotion had no place – a far cry from what this master of abstract expressionism was to become. The intense labour required to build a connection between eye, brain and hand so quick as to b
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Rijksmuseum, Amsterdam Marking a century since the Dutch artist stowed away to New York, this vast retrospective gloriously showcases the abstract expressionist’s fierce boundary-pushing Willem de Kooning was the last great artist who really knew how to draw. More precisely, if less provocatively, he was the last truly transformative painter to have been schooled in the academic tradition that produces what is still recognised, by most people, as “good drawing”. Accurate in the sense of a photograph but, like a filter on your cameraphone, also subtly tidying up the world to meet the ideals of classical proportion. “Draw what you see and not what you think,” the young De Kooning was told. Raw personal emotion had no place – a far cry from what this master of abstract expressionism was to become. The intense labour required to build a connection between eye, brain and hand so quick as to b
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According to The Guardian’s source item, Willem de Kooning review – the artist’s lifelong rebellion against himself is thrilling to watch, Rijksmuseum, Amsterdam Marking a century since the Dutch artist stowed away to New York, this vast retrospective gloriously showcases the abstract expressionist’s fierce boundary-pushing Willem de Kooning was the last great artist who really knew how to draw. More precisely, if less provocatively, he was the last truly transformative painter to have been schooled in the academic tradition that produces what is still recognised, by most people, as “good drawing”. Accurate in the sense of a photograph but, like a filter on your cameraphone, also subtly tidying up the world to meet the ideals of classical proportion. “Draw what you see and not what you think,” the young De Kooning was told. Raw personal emotion had no place – a far cry from what this master of abstract expressionism was to become. The intense labour required to build a connection between eye, brain and hand so quick as to b
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- Willem de Kooning review – the artist’s lifelong rebellion against himself is thrilling to watchThe Guardian - 2026-10-08T14:35:10+00:00
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