Wire report
Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp
Set against the 2028 Olympics, Charlotte Zhang’s beautifully attentive debut follows two Latino men as they game the system of state-sanctioned racial violence Brimming with indelible images, Charlotte Zhang’s brilliant debut locates the roots of a dystopian future in the here and ...

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Set against the 2028 Olympics, Charlotte Zhang’s beautifully attentive debut follows two Latino men as they game the system of state-sanctioned racial violence Brimming with indelible images, Charlotte Zhang’s brilliant debut locates the roots of a dystopian future in the here and ...
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According to The Guardian’s source item, Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp, Set against the 2028 Olympics, Charlotte Zhang’s beautifully attentive debut follows two Latino men as they game the system of state-sanctioned racial violence Brimming with indelible images, Charlotte Zhang’s brilliant debut locates the roots of a dystopian future in the here and now. Set around the 2028 Summer Olympics, the film imagines a Los Angeles gripped by paranoia and conspiracies; and a livestock disease has led to a ban on all meat production, leaving the main source of protein distribution – powdered insects – in the control of a megacorporation called Ootheca Inc. Ironically enough, a cockroach infestation has taken over several local neighbourhoods, making Ootheca’s monopolising greed even more insidious. All of this might sound pretty out there, yet the heart of Tycoon is a deeply human story of survival. Both hustlers up for any challenge, Lito (Miguel Padilla-Juarez) and
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Primary source: Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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