Wire report
‘Treats its audience like adults’: why Moneyball is my feelgood movie
The latest in our series of writers paying tribute to their favourite comfort films is an ode to Brad Pitt and Aaron Sorkin’s lovably human baseball drama The older I get, the more I want to hear people talk. I want films in which recognisably human characters interact in recognisably human ways. No one need die; nothing great need be at stake. I just want to be treated like an adult. Moneyball treats its audience like adults. Though it was released in 2011, it’s a very 1970s film: its theme is analogous to the paranoid thrillers of that decade. In Moneyball , an American institution is in the hands of an elite, and a lone man who doesn’t trust the system is trying to change things. Yes, it’s about baseball rather than the CIA, but I don’t think it’s coincidence that this is the film where Brad Pitt finally looked like the inheritor to Robert Redford . Continue reading...
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The latest in our series of writers paying tribute to their favourite comfort films is an ode to Brad Pitt and Aaron Sorkin’s lovably human baseball drama The older I get, the more I want to hear people talk. I want films in which recognisably human characters interact in recognisably human ways. No one need die; nothing great need be at stake. I just want to be treated like an adult. Moneyball treats its audience like adults. Though it was released in 2011, it’s a very 1970s film: its theme is analogous to the paranoid thrillers of that decade. In Moneyball , an American institution is in the hands of an elite, and a lone man who doesn’t trust the system is trying to change things. Yes, it’s about baseball rather than the CIA, but I don’t think it’s coincidence that this is the film where Brad Pitt finally looked like the inheritor to Robert Redford . Continue reading...
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According to The Guardian’s linked item, ‘Treats its audience like adults’: why Moneyball is my feelgood movie, The latest in our series of writers paying tribute to their favourite comfort films is an ode to Brad Pitt and Aaron Sorkin’s lovably human baseball drama The older I get, the more I want to hear people talk. I want films in which recognisably human characters interact in recognisably human ways. No one need die; nothing great need be at stake. I just want to be treated like an adult. Moneyball treats its audience like adults. Though it was released in 2011, it’s a very 1970s film: its theme is analogous to the paranoid thrillers of that decade. In Moneyball , an American institution is in the hands of an elite, and a lone man who doesn’t trust the system is trying to change things. Yes, it’s about baseball rather than the CIA, but I don’t think it’s coincidence that this is the film where Brad Pitt finally looked like the inheritor to Robert Redford . Continue reading…
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-11T09:00:50+00:00.
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Primary source: ‘Treats its audience like adults’: why Moneyball is my feelgood movie via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘Treats its audience like adults’: why Moneyball is my feelgood movieThe Guardian - 2026-05-11T09:00:50+00:00
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